Small boat

One of the projects, or should I call them 'challenges', that I run in my Art Forum, is what we call the Monthly Painting and Drawing Project. This is where I post a photograph of what I hope is an interesting subject, and the members all paint or draw it in their chosen medium. 

We find it an interesting way of appreciating how other artists 'see' the same subject and how they  apply artistic licence to create their own interpretation of it. Every month I create a web page showing all of the submissions so that we can compare all the paintings/drawings side-by-side. This isn't about deciding whose is best but about learning from our peers and appreciating the achievement of others.

As for the subject of the painting, I saw this small boat bobbing on the water in the marina in Torbay. Torbay is an area of coast known as "the English Riviera". There was just something about it that made me want to paint it and I knew it would make a great subject for the monthly project. 

I couldn't decide whether to paint it or draw it, so I did both. LOL.

Other boat paintings on my web site

Scarborough Boats

Boy with Boat

Spurn Lightship

Old fishing boat

"Old Fishing Boat" using Pen & Wash

Boats of all shapes and sizes make good subjects for painting and really old, well worn boats are especially attractive. I don't know if this old fishing boat is still in use today as its badly flaking paint, rust stained hull and rotting wooden boards have certainly seen better days. 

My first version of this appealing subject was actually a sketch using a non-permanent pen and a water brush. Though I don't do a great deal of sketching outdoors (which I intend to rectify), the pen and water brush combination makes an ideal, easy to carry, outdoor sketching kit.

Other boat paintings on my web site

Barmouth Viking II

Fishing Boat

Boat in Torbay

Steps at Robin Hoods Bay

 

 

Robin Hoods Bay is the most delightful coastal village I think I've ever been to. It is set into the Yorkshire cliffs and in the 18th century was reputed to be the busiest smuggling community on the Yorkshire coast. Hiding places, bolt holes and secret passages abound and wandering through the narrow alleyways between the houses it's easy to feel the presence of smugglers passed.

When there a few years ago I took many photographs and this one looking up a pathway of cobbled steps was one of my favourites. To make the centre area around the steps the main focus of the scene I knew I would need to lay in plenty of darks tones, keeping the pathway light but working with ink, that's not so easy. My original plan for this ink work was to produce a vignette-style drawing, but that didn't work out as I'd planned, though I'm not displeased with the result.

For anyone interested, I have a full Work In Progress page on my main web site that shows my progress and my changing thoughts as the drawing progressed. I hope you have a look at it.

More views from Robin Hoods Bay

King Street
(Pencil)

Haberdashery
(Pen and Wash)

New Road
(Pen and Wash)

Steps to Front Door
(Pen and Ink)

Coastal View
(Pen and Ink)

Irish Church

 

Many years ago, we went on holiday to Ireland and stayed in the south in County Kerry. One day we were driving along a quiet country lane and unexpectedly came across this semi-ruined church. It was intriguing because the back wall, where I imagine there was once a stained-glass window, was caved in and yet the graveyard looked recently used. To add to the intrigue, there was a good degree of rubble just inside the caved in window yet all the pews appeared to be present and intact. 

I first drew this church in pencil back in 2010. More recently I was looking through my photo's for a suitable subject to set as the Monthly Painting and Drawing Project in my forum, and this one jumped out at me as we hadn't had a building as a subject for a while. As usual, the members tackled this in a variety of media, but my choice was to try Pen & Ink this time. 

Other Pen & Ink drawings on my web site

Midhope Castle

Boat in Torbay

Scarborough Toll House

Artistic Licence

 As many of you know, my favourite medium after Graphite Pencil is Pen and Ink. Now there's a thing .... why do we call it "Pen and Ink" ..... what use is a pen without ink? LOL. 

Anyway, I was taken to draw a snow scene using just my Pigma Micron Fineliners and chose this Old Oast House as a subject. The reference photo contained no snow so all the "white stuff" is a figment of my imagination. Isn't Artistic Licence wonderful?

More Pen and Ink Drawings

Boat at Craster

Canal Cottages

Paddle Steamer

Nothing ventured....

I did this Pen and Ink Wash drawing some years ago. Although it hangs on the wall in my study, it has been largely forgotten, which is a shame because it was one of those special, 'first attempt' revelations, like we've all had at various stages along our art journey. Rather than write about it again, the experience for me can be summed up by the opening and closing comments I made at the time on my Work-In-Progress page.

I begin:-

I've never tried using ink washes but it's something that appeals, probably because of my love of Pen and Ink. I haven't done any research nor watched anything on YouTube so I'm very much making this up as I go along. What I've decided to do is draw a building using Fineliner pens and then add shadows and shading using diluted ink applied by brush. I have no idea how it's going to turn out ... could be a disaster.

and I close:-

Well, what a learning experience that was. Like every 'new' medium we try, the unexpected can be a pain or a joy. Overall, though there are many things I've learned about working with ink, this experience was more joy than pain. The way the neat ink bled into wet pale washes was superb. A few areas are darker than I wanted but learning to control the ink was half the fun, and I love the way some patches have purple hues in them. This is certainly something I will do again and I'm keen to try different inks .... Sepia might give some interesting results.

Here are some more Pen and Ink Drawings

Arches at Knaresborough

Bungalow

The Old Water Mill

It's been a while

I can't believe it's been well over a year since I last posted. It's been a very different year for all of us, that's for sure. Though I've produced the odd picture here and there I've mainly been busy working around the house and garden and messing about with a few of my other hobbies. There have been several things I thought I might share with you but they haven't come under the heading of "Art", in fact, I have been thinking I might expand the scope of my blog to include none-arty stuff but haven't made a decision about that yet.

So why am I posting now? Recently I discovered a large number of my paintings and drawings being displayed on other web sites, and some of them actually being offered for sale. I was appalled and massively surprised by the number of "stolen" images I have out there. I decided to tackle the issue head on and have been having some good success and it occurs to me that anyone who posts their work online might well have the same problem. As a result I began a series of pages on my website explaining about Copyright Infringement, what can be done about it, and how I'm tackling the issue of having the offending images removed from the internet. I will be posting more on the subject soon but in the meantime, if you're concerned about your own work, visit my website.

The drawing above is of a mid-20th century Hobbies A.1. Treadle Fret Saw that used to belong to my Dad. More about that in my next post.

 

Midhope Castle

A long time ago I purchased a book by Clive Holmes called "Northamptonshire: A portrait in Pen & Ink". The book is Clive's 'view' of the buildings in Northamptonshire as seen through his Pen & Ink drawings. I was a little interested in the local architecture and history of the county but much more interested in Clive's drawings. As a keen Pen & Ink fan I wanted to examine his technique and skills at my leisure.

Though most of his technique seemed fairly standard I noticed he rarely used hatching, as I do, so I was particularly interested in how he achieved his tonal values. One of the things that jumped out at me was his occasional use of 'dots' to achieve some of the mid-tones, especially where there was little texture to be drawn. I decided this was something I'd like to try some time.

The latest Monthly Painting & Drawing Project in my art forum is of Midhope Castle, commonly called 'Lallybroch', which is used in the 'Outlander' series. This gave me the perfect opportunity to 'go dotty' and play with this new technique. I have to say it is a very time consuming method of shading but varying dot density to achieve different tones was relatively simple. I'm not convinced yet that this approach is something I'll try again, but if I do it will be restricted to certain small area's within a drawing rather than the whole study. I'd love to hear what you think. ;-)

Boathouse

In my art forum I run a Monthly Painting & Drawing Project where a reference photo is provided for all the members to have a go at. It's fascinating looking at the end results and seeing the same scene depicted in different media and styles. We also find it a useful learning tool as we will often see another member doing something we hadn't thought of.

This months project is a reference photo provided by one of the members of a small Boathouse she discovered at Rode Hall in Cheshire and I decided to tackle it with Pen & Ink. I chose to leave out all of the trees and shrubs growing behind and around the building in order to avoid losing the main subject in amongst a mass of unnecessary 'clutter' and included just enough of the leaf-strewn ground and lakeside water to show the buildings purpose.

Boat at Craster

A couple of years ago I was on holiday in Northumberland, a most magnificent part of the country. As well as visiting the more famous locations such as Lindisfarne, also known as Holy Island, and the wealth of stunning castles in the area such as Bamburgh Castle, I searched out some of the small fishing villages on the coast. One of them was this jewel in the crown called Craster.

Craster has a very small harbour and I found only a handful of small boats, mostly beached on the overgrown pebble and shale beach. I spent the most wonderful couple of hours strolling out onto the harbour wall with my camera snapping shots of the boats and seagulls (I just have to take photo's of seagulls in flight - lol) and then sitting on an old wooden bench where my wife and I enjoyed a cold drink and a sandwich. This pen and ink drawing is of the view we had from that bench. I would add that drawing it now has brought it all back much more vividly than simply looking at the photo's again.

My main web site has a step-by-step Work-In-Progress explanation of this drawing coming together, from reference photo through to final drawing. I hope you take a look.

Paddle Steamer

Yet again I find myself posting here after a long absence. Though I am still very enthusiastic about my art, it seems I never actually sit down and do any. I find time to keep my Art Forum up-to-date, feeding it with posts, topics and projects, and I constantly tweak and maintain my Art website where I've recently spent a huge amount of time making it fully 'responsive', which is tech-speak for "suitable for mobile devices of all types and sizes", but when it comes to picking up pens, pencils or brushes it just doesn't happen. Is this what they call "artists block" .... the interest to draw or paint but lacking the 'drive' to actually do anything?

Anyway, recently I felt a sudden urge to do something art-wise and felt drawn (excuse the pun) to the idea of doing a pen drawing of an old fashioned, shallow draft, Mississippi-style Paddle Steamer. I found a suitable reference photo and dusted off my set of Micron pens. I really enjoyed the process and the drawing was completed much too quickly. Now I have the urge to draw an old Farm Tractor in a similar way .... but will I actually do it? LOL.

Ink & Coloured Pencils

As I sat watching television a few evenings ago I drew this Robin in my sketchbook using Pen & Ink. I wanted to see if I could demonstrate it was a Robin just by tonal values alone. There is hardly any difference between the tonal values of his red breast and his brown feathers when viewed in greyscale so I tried to exaggerate the tones in my drawing but it didn't work too well.

Dissatisfied with the result and thinking he didn't really look like a Robin I decided to add some colour using coloured pencils. I liked this effect very much and I think that is probably because the ink drawing was a finished piece in it's own right, rather than just the preliminary stage of something more. This became more apparent when I drew the Chaffinch and Blue Tit. They don't work as well, in my opinion, because they have much less ink detail which is probably because I was well aware at the ink stage that colour was too follow.

I liked the effect of the Ink with Coloured Pencil so much that I went back to a couple of previous pen drawings and added colour to them in the same way. Though I always like them in their original ink form (yes, I actually said "I liked them" lol) I have to say that I like them even more with the added colour. Oh, I didn't risk ruining the original pen drawings as I printed them out and worked on the copies. This is definitely a mixed media that I will work with again.

Lychgate

In an attempt to further reduce the tightness in my work I set myself a limited time to attempt this pen drawing of a Lychgate. Though I'm pleased with much of the pen work, especially the shadows and textures, my hasty sketching has resulted in some poor perspectives. It's clear that even a relaxed and loose style still needs attention to detail at the outline stage. Relaxed and loose must never mean careless .... another lesson learned.

For those interested, the word 'lych' is an old English word meaning 'corpse'. In the middle ages, when bodies were often only wrapped in shrouds, the corpse would be placed on a bier (a flat-framed stand) under the lychgate from where the priest would conduct the first part of the funeral ceremony. It's interesting that these small structures with such a unhappy function should these days often prove to be a popular backdrop for wedding photo's. This particular lychgate stands at the entrance to the church I was married in some 43 years ago and most of our wedding photo's were taken in front of it.

Like many of you, when I'm out and about I take photo's of scenes and objects that I would like to paint or draw one day. I took this photo in 2004 for that very reason, which just goes to prove that I get there eventually. ;-)

Snowy Cottage

As I've mentioned in previous posts, when working with pen & ink I'm currently experimenting at achieving a good tonal range and shading without using too much cross-hatching, if any. In addition, a couple of posts ago, in a comment about one of my drawings,  Keith referred to 'lost and found lines' and this has also been on my mind as I'm not sure I've ever understood exactly what is meant by 'lost and found lines', though common sense sort of suggests what the term means.

Yesterday I came across a photograph of a small snow-covered cottage and, while thinking about how it might be drawn using pen & ink, realised that it was a great subject to work with both zero-hatching and 'lost and found' lines. Of course, the secret to drawing snow is more about what you don't draw than what you do.

Canal Cottages

Back in 2007, to mark my 60th birthday, my family treated me to a day on the canal. Fortunately it was "on" and not "in". The canal is the Grand Union and they hired a barge for the day and I was in my element navigating the calm waters. This stretch of the canal includes the famous mile-long tunnel near Blisworth which, in days gone by, were navigated by the bargee's laying on top of the barges and "walking" their feet along the roof of the tunnel. Fortunately for us our barge had an engine but the tunnel is only just wide enough for two barges to pass, so steering for a novice was exhilarating to say the least.

In my last post I mentioned how I was concerned over my use of hatching, in particular that it looks unnatural .... rigid, clinical diagonal lines ... and this is probably down to my inexperience. To explore this further I decided I ought to try a pen drawing with no hatching, achieving tones in a different, more natural way. I've painted this scene before and it struck me as being ideal for my purpose. I'm not displeased with the result and am happy that there's not one area of regular hatching. Now I'm keen to try another. ;-)

Tempus fugit and all that.

It's been over 4-months since I last posted. In my last post I mentioned that summer was almost here, and as I write this I can't help but notice that it's now over. I also note that my last post said I was determined to do some urban sketching this summer but I've failed miserably and haven't ventured out with my sketchbook once. What happened to the summer? 

That said, I am recently back from a wonderful holiday in Northumberland during which I succeeded in sketching en plein air on several occasions. I sketched Bamburgh Castle in the rain, the Millenium Bridge in Newcastle in the sunshine and Lindisfarne Castle on a dry but cold and windy day. Yep, British weather at it's best. The sketch of Warkworth Castle was a bit of a cheat as I used a tourist leaflet as a source of reference. 

Keen to pursue my interest in Pen and Ink work I recently tackled this picture of Willy Lott's Cottage. I'm sure you're all familiar with it but for anyone who isn't, Willy Lott's Cottage was made famous by John Constable in his painting "The Hay Wain", and he included it in a number of his other works too. It is in Flatford, Suffolk, which was an area Constable painted frequently.

Pen and Ink seems to be my preferred medium at this time and I'm keen to progress it. Although I'm feeling much more competent with the medium than I ever did with watercolour I still feel that my marks, especially hatching, have a 'novice' look to them. Hopefully, the more I do, the more 'natural' the marks will look. With fingers crossed I shall march onwards and upwards as this is a medium I'm really feeling at home with. ;-)

Web sites and stuff.

Good grief, it's been over 2 months since I last posted .... doesn't time fly when you're working your socks off? LOL.

As most of us know, it's that time of year when our gardens beckon and anyone with a 'formal' garden will know just how much post-winter tidying up and spring weeding, trimming and pruning is necessary. My greenhouse is bulging at the seams both with tender plants that have overwintered in there, and with new plants born from cuttings. I'm an old fashioned gardener so won't plant out any tender plants before the end of May. Nearly there!!!

We have also decided to have a new kitchen so remodelling has also been high on the agenda. I'm needing to finish painting the hall and passageway now that our new Front and back doors have been fitted but progress is being made as I spend sunny days outside and wet ones inside. Sometimes I feel like the little man in one of those old Swiss Weather Cottage ornaments. LOL.

On top of everything else I've also been fixing my web site - JWJonline. Google recently announced that they would be giving less importance in their search results to sites that were not 'Mobile Friendly'. They use all sorts of complicated expressions like 'Responsive Design' but what it really comes down to is a flexible layout that looks good on any size screen. At first I ignored this 'advice' but eventually looked closely at the statistics for my site and found that my traffic is fairly equally split three ways, one third from phones, one third tablets and one third desktops, This is a massive change even over the last 12-months.

With 2/3rds of my traffic coming from mobile devices I decided I had to deal with the matter. For template-based sites run by hosting companies there is little the end-user can do to alter the technical structure of the site but for someone who has built their own site from scratch, as I have, the ball is firmly in my own court. It's been necessary to look up lots of things and my learning curve has been steep, but I'm there now and very happy with the results ..... fonts rescale, images rescale and text moves fluidly around the screens. Whether you view my site on a phone, tablet or desktop, the pages ought to look good. (Let me know if you see something that could be improved). I have to applaud Google for providing some extremely useful tools especially one that allows a desktop user to see how his site looks on any other device.

So, while all of this has been going on I haven't been able to do much art. I've occasionally spent a little time doing ink sketches, such as this tree, old rowing boat and village green, just to keep my hand in, but 'serious' art has had to take a back seat. Still, summers almost here, the web site is virtually finished, the garden will soon be looking after itself and the kitchen won't take forever, and then I'll be out in the summer sun with my sketchbook as I'm determined to do some urban sketching this year.

Eilean Donan Castle

You may recall from my last post that I did a practice piece of this castle a few weeks ago. Since then I've been working on the drawing proper. This is much larger than I usually work (on 16" x 12" Daler-Rowney Heavyweight paper) and it's surprised me as to how much longer a large drawing takes compared to a smaller one. I suppose it should have been obvious but there's a lot of little pen marks in this drawing. A picture twice the size seems to have taken 8 times longer to do.

Another 'first' for me was that I used several reference photo's. With shadows, lack of colour and a flat grainy photograph I found some of the details difficult to put into perspective, but having several photo's taken at different times of day and from different viewpoints enabled me to get a better understanding of how the various walls and buildings fit together.

As I stated in my previous post, this particular view of the castle isn't quite balanced as the bridge runs out too far to the right leaving a large empty space to the right of the castle. I had intended to use artistic licence to insert a tree into that space to balance things up but I've changed my mind and cropped the picture to exclude one of the bridge spans. A few birds in the empty space adds some balance.

I'm really pleased that I did the practice piece (something else I don't usually bother with) as it helped me understand which hatching/shading worked and which didn't. I didn't want to make the hatching obvious and believe that if done right it should blend seamlessly into the whole.

For anyone interested I've put a Work In Progress page on my main website showing the various steps.

Practice makes perfect?

Following my recent small Pen & Ink drawings I wanted to try something more ambitious and decided to attempt this Mill which sits on the River Avon at Tewkesbury. The Mill is mainly brick built but the centre structure on legs, the small attic rooms and the small building to the right (also on legs) are made of white painted timber. The roofs are tiled and the water is wet. Regrettably I messed it up within the first couple of pen strokes but I'd spent so long drawing it out in pencil I hadn't got the heart to scrap it and start again so decided to use it as a practice piece. I wanted to better understand how to using hatching to depict brickwork, timber, tiles, water and so on, so a few wonky roof lines and wobbly windows weren't going to make a lot of difference to my learning process. Apart from the bad bits I'm not displeased with it and it was certainly a fabulous piece to practice on. The hatching and shading disguised a multitude of sins and I learned a great deal from doing it.

My next piece was specifically done as a practice piece. One of my all time favourite places even though I haven't been there yet (it's on my bucket list) is Eilean Donan Castle in Scotland. I've decided that I'd like to draw it in Pen & Ink but to do justice to it, I think it needs to be a large drawing so as to allow for plenty of detail. To enable me to appreciate how best to hatch in the darks and shadows and to aid in the overall composition of the drawing, I decided to do a smaller (10" x  8") practice piece.

As usual, some of my verticals aren't vertical but that doesn't stop the practice piece from serving it's purpose very well. This particular composition is too wide. I don't like the way the bridge hangs out on it's own to the right, yet I feel the bridge is an important feature. I'll look at other options but I'm thinking artistic licence could bless me with a large Oak tree to the right of the castle. I'm pleased with the shading of the end gable of the building on the left but many other areas don't work as well as I'd hoped. I didn't want to overdo the diagonal hatching and I've achieved that, and I've also achieved a 'stone' appearance to the castle, however I think I need to have another practice run to try out some other effects.

They say "Practice makes perfect". It doesn't always ..... but it sure as heck helps. ;-)

Exploring is Fun!!

After my first couple of efforts with pen & ink 'hatching' I was determined to find out more about types of hatch and how to hatch. It quickly became apparent that it's not just a case of laying down lots of parallel lines. The direction of hatch, the tightness of the hatch, whether or not the lines are straight or curved, and a score of other factors all contribute to whether the shaded area looks natural or not. So, to that end, I'm exploring 'hatching' in particular and pen and ink work in general.


I'd taken a photograph of this Castle Door when visiting York Castle many years ago and gave me a chance to show the different textures between the wooden door and the old worn stonework.

 






This is the Town Hall (and Museum) in Royal Wootton Basset. Built in 1690 it is in a mock Tudor style and stands on 15 stone pillars. No rough stone in this one but the roof provided a different texture for me to try.











For something completely different I attempted a flower. I don't think the delicacy of the Tulip shows through but I'm pleased with it's overall shape and form.











This old Yorkshire Lime Kiln provided an opportunity to just run riot with the hatching and was great fun. Back in 2011 I attempted this same drawing also in pen and ink but the results were very poor. My effort back then made it look as if the kiln had been painted with camouflage stripes. I'm much happier this time and very pleased that I've made some progress.




Exploring any new medium/method/technique is all about trying things out and taking note of what does work and what doesn't. There's no doubt that I'm really enjoying pen and ink right now, even the things that didn't work quite as I'd hoped.