Small boat

One of the projects, or should I call them 'challenges', that I run in my Art Forum, is what we call the Monthly Painting and Drawing Project. This is where I post a photograph of what I hope is an interesting subject, and the members all paint or draw it in their chosen medium. 

We find it an interesting way of appreciating how other artists 'see' the same subject and how they  apply artistic licence to create their own interpretation of it. Every month I create a web page showing all of the submissions so that we can compare all the paintings/drawings side-by-side. This isn't about deciding whose is best but about learning from our peers and appreciating the achievement of others.

As for the subject of the painting, I saw this small boat bobbing on the water in the marina in Torbay. Torbay is an area of coast known as "the English Riviera". There was just something about it that made me want to paint it and I knew it would make a great subject for the monthly project. 

I couldn't decide whether to paint it or draw it, so I did both. LOL.

Other boat paintings on my web site

Scarborough Boats

Boy with Boat

Spurn Lightship

Iris

I moved into my present house in the winter when the garden was as 'dead' as it could be. I could see that I had inherited many Iris plants, and that pleased me as they are one of my favourite flowers. What I hadn't expected was the range of varieties in the garden. Some with small flowers, many with regular size flowers, and one with giant flowers. And the colours range through bright yellows, cold blues, warm oranges, autumn colours and deep Indigo's. 

That first summer I couldn't wait to get outside with my camera and as each bloom opened I was delighted to discover 16 different varieties. As a fairly useless, uninformed, wanna-be gardener I have no idea what the names of them are so I lump them all into one category ..... "Gorgeous". 

It was obvious that I'd have to paint them at some point, and the one above is the first.

 

Rainbow Trout

The weather here is not very good today and the constant rain and gusty winds are keeping me indoors, yet again. I've decided to have a 'lazy' day today and spend the time in my Den-cum-Study-cum-Office-cum-Studio and get some art done.

It's been quite a while since I last painted anything using watercolours so I decided to dust off my brushes for the latest Painting Project in my art forum. I confess to struggling somewhat with the colours and tried to add multiple layers of paint which seemed to be the perfect way to create lots of green muddy gunk. As it happens, though the painting isn't as 'fresh' as I would have liked, the finished article doesn't actually look as bad as I thought it would.

Paynes Grey

A long time ago, an extremely accomplished artist I know told me not to use Paynes Grey but to make my greys using other colours, especially if needing it for shadow work. As time went on I found I was seeing this advice more and more but I couldn't stop using Payne's Grey as I found it such a useful addition to my palette.

One day I discovered the work of James Fletcher-Watson and just had to buy one of his books. With interest I read about his usual palette and was thrilled to find that it always included Paynes Grey. From that point on I stopped worrying about having it in my palette on the basis that if it was good enough for James Fletcher-Watson then it was more than good enough for me.

A couple of months ago, while catching up with my old issues of "Paint" I was taken by an article in the March 2013 edition by artist Alan Goodall. The article is actually about the All Weather Wonderpad, but my interest was more with his subject and technique. His featured painting was a Pen & Wash but he only used one colour ... Paynes Grey. His washes were built up by adding multiple layers of varying strengths and I felt compelled to attempt this myself.

So here is my version of the scene at Watendlath in the Lake District. This was a really useful tonal exercise and I thoroughly enjoyed building up the values layer by layer. I don't know whether it's my love of pencil work that makes me biased towards graphite shades but I'm really pleased with the way this grey monochrome painting has turned out. And yes, Paynes Grey will always have a place in my palette. ;-)

Rose

A few weeks ago I decided to paint a flower. I thought it would be a 'start today - finish tomorrow' sort of painting, but boy, was I wrong. First of all I didn't have as much time as I'd planned and had to work in many short sessions as opportunities presented themselves. I don't like working like that, especially with watercolours. Secondly, and more importantly, I found it much harder than I'd expected and just couldn't get the colours blending together the way I wanted them. I found some of my glazes turning to mud and it took me a while to realise it was whenever I used Alizaron Crimson as part of the mix. I suppose all of you experts out there already knew this, but I didn't. Several times I 'lifted off' the muddy area's and tried again. I finally achieved a result I could settle with and so I'm calling it 'finished'.

But I think I've made a very bad mistake with regards to composition. To give the flower bloom a grounding I invented some foliage but I'm not at all happy with the way it looks. It's too contrived and I now think a single stem with just 3 or 4 leaves would have been better. Anyway, it's all about 'learning' and I certainly learned a lot doing this one.

On a positive note, it's not that long ago I'd have attempted something like this using single washes and going wet-in-wet, which is not something I'm good at. I feel that by using many layers I've achieved a much greater depth to the painting. It may be a more time consuming and fiddly process, but it pays dividends with something like this.

Merry Xmas

It has been far too long since I last posted on my blog, and even longer since I spent any time visiting the blogs of my friends here in in blogland. As we all know, life sometimes has a habit of getting in the way. But I couldn't let Xmas pass without getting in here to send my very best wishes to you all.

The painting above is one I copied (for my own amusement and pleasure) from a Xmas card I received this year. For quite a long time I have been wanting to find a subject that would allow me to work again with watercolour and pencil, and I really liked the opportunity this scene provided. It's all a bit rushed, especially the buildings and background trees, but I like the way the graphite background has pushed the Robin, Holly and Post box to the front. I will definitely being doing more of this mixed media combination.

Though very busy I have been keeping my hand in with occasional small sketches. As you know I really like working with pen and soluble ink, and loose watery sketches like this one of a small church surrounded by fir trees was great fun to do and only took a few minutes. This was using a new Rotring ArtPen which was a birthday present back in October, and I really liked the way it flowed over the paper. I also received a set of Carbon Pencils which I haven't yet been able to do a lot with but I believe they can work quite well with water to, so I'm looking forward to playing with them in due course.

A few weeks ago I painted this Fairy for one of the Painting Projects in my Art Forum. This was something completely different for me as I studiously avoid painting people. That's something that I really must address and when I'm able to get back into my art properly I think 'people' must be high on my agenda of things to paint. It's too early yet to be thinking of New Years Resolutions but when we get to that point this may be a very good subject to put near the top of my Resolutions list.

On the other hand, I'm hoping good ol' Santa will bring me a new Macro lens for my camera. I have a page on my web site showing the flowers in my garden during every month of the year. The present photo's are passable but I'd really like to improve on them and then paint them. I quite fancy doing more floral work. Hey, if we were living in the sixties I could do paintings of the Flower People and kill two birds with one stone. lol.

Finally a word about 'motivation'. I have none. Lifes little tests have a way of knocking the stuffing out of us and robbing us of what inspiration and motivation we may have once had. I have recently come to realise that when I say "I haven't got time" I really mean "I don't feel like it". That has to change and I am determined that it will change.

I wish you all the very best Christmas you can have and, if I don't see you before, a very Happy and Peaceful New Year.

Iris

A while ago I painted a Rose and it was my first serious attempt at applying multiple layers to a watercolour. I found the technique of adding glazes quite alien to anything I'd done before but was determined to have another go when time allowed. Well, here it is ....

As I neared the end of the process I was sensing that the pigment on the paper was very close to turning to 'mud'. Parts of it were feeling a little over worked and other parts where losing their luminosity. I think one more glaze would have been a step too far. My guess is that some of the pigments I used lacked sufficient transparency but I'm also thinking that maybe I mixed some glazes a little too dense. I think that more water and a better understanding of transparent pigments would help a great deal.

Still, I'm not disappointed in the result and it was great to be holding a paintbrush again. And I'd love to hear any tips from all you competent exponents of glazing out there. 

Tempus Fugit

... or, in other words, Time Flies. It certainly is doing for me. I looked at the number of posts I've made on my blog so far this year ... 7. We're halfway through the year and I've managed only 7 and I missed the month of April completely. I decided to throw together a quick post just so that I don't miss June as well.

This week, for the first time in a very long while, I actually found a few hours to do some painting. I had a go at this anemone which I found in the Reference Photo section of my forum. I used the layering technique I learned about a while ago but applied my own thinking to the method rather than follow 'instructions' rigidly. I felt much more comfortable doing it this way and I'm not disappointed with the result. I've still got a long way to go with it but I definitely felt I was understanding more.

On another matter, I've finally dragged myself kicking and squealing into the 21st century ... I've bought myself a tablet ... a Samsung Galaxy Note 8. There are many reasons why I preferred it to other tablets, one being it's built-in pressure sensitive digital pen. I've tried a few doodles and doubt I'll ever do any serious drawing with it, but it's great fun and I'm now on the lookout for the best drawing software to go with it. Don't be surprised if you see some digital doodles posted here from time to time. I'm also hoping my new tablet will help me get round your blogs more often as I'll be able to use it at times when I can't normally get to my PC.

Our local Art in the Park exhibition ended last week and I had to go and collection my "Fuchsia 'Winston Churchill'" painting. No, it did't sell, but I'm not disappointed. There was a time when I mistakenly thought that a person couldn't be classed as a proper artist if they didn't sell their work.  Since then I've come to realise that it's not how much we sell that makes us an artist but what is in our heart. We should be called 'heartists'. lol.


I had taken my camera with me to the park, as always, and on the way back from the exhibition I detoured to the lakes. An enjoyable half-hour with my camera resulted in scores of photo's to be scrutinised once back home and I'll close this post by sharing 3 or 4 of them with you.

Thank you for stopping by and I hope to get to YOUR blog very soon.

Trying something new.

Though I haven't been getting any time for art recently, I was away on holiday for a few days the week before last and I decided to have a go at painting a flower by following the instructions in a new book I have by Michael Lakin. He is a wonderful botanical artist and I thought it would be interesting to try his technique.

The subject is a Rose and included with the book was a tracing, so I can't take any credit for the drawing. The painting process was hugely different to anything I've tried before. It involved putting on pale graduated washes, letting them dry, and then adding another, gradually building up the painting in layers. I know some of you already work this way and I was keen to experience it for myself. In total I put on something like 7 or 8 layers. It was interesting putting a wash of French Ultramarine on top of the Cadmium Red petals ... something I would never have dreamed of doing.

I started the painting nearly 2 weeks ago and it has taken me 3 sessions in all to complete it. I was surprised at what a slow process it is. I shall definitely try this method again soon but I'll leave it until I have enough time ... it's not a method to be rushed, that's for sure.

And big apologies for not getting round your blogs as much as I'd like ... I'm missing all your wonderful art.

Trial run!

During one of my plein air walks in early summer, I took a photograph of this fabulous house. I was taken by the manicured lawns, the perfectly planted flower beds and borders, and the structural framework of the surrounding trees, especially the large Copper Beech tree.

It has been quite a while since I last used my brushes and I felt the need for a bit of a practice before painting anything proper, and when I flicked through my library of reference photo's this one jumped out at me. As a 'refresher' practice piece I wasn't too fussy about lines and colours but I really like the way it's come out and wish I'd made a greater effort. So, I will be doing this one again and hopefully benefiting from the trial-run.

Sheepish looks.

Like so many of us this time of year, I'm afraid I just haven't had the amount of time for blogging that I would like. I've attempted to get round a few of the blogs I follow but I'm doing very well. If I haven't visited YOUR blog recently, please bear with me ... I'll catch up soon.

I've also had no time whatsoever for my art. I haven't touched a brush or a pencil for weeks. Actually, that's not quite true. I did find myself with a little time last week to do something so picked up a small 9" x 6" pad and selected a photo from one of my recent walks. Some of you will remember my encounter with the flock of sheep and this is taken from one of those photos. I don't usually try and paint animals so this was quite different for me. It was fairly quick and 'wet' (by my usual standards) and I enjoyed watching the colours blend. I must do more of this sort of thing.

One small matter I'd appreciate some help with is the 'miniature' pencil drawing shown in my last post. I am completely stunned by the wonderful comments from you all. When I knocked out that small sketch I had no intention of producing a keepable drawing. It was just a few minutes sketching and as such I gave no thought to paper or placement. As you will see from the attached photo, the sketch is stuck at the top of a scribbles page in an A5 sketchpad. In view of the good comments it has received I've decided to keep it but think it may get lost (thrown away) if I leave it where it is. The only idea I've had so far is to cut it out and mount it into a very small photo frame. If anyone has a better and more original idea, I'd love to hear it.

Five years on.

Tempus fugit … Time flies. And it’s never been truer than with my blog. I first started blogging 5 years ago today. FIVE YEARS!!!

When I dived head-first into the world of blogging it was to add another dimension to my web site. My web site had been started some 8 years earlier in the hope of getting feedback and advice on the results of my newest hobby, painting. As I progressed (albeit very slowly), time and time again I came across people who had thought of having a go at watercolours, but never taken the plunge because they didn’t think they’d be any good at it, and others who had tried once, not produced a masterpiece, and therefore given up. I became increasingly aware of a burning desire to tell these people that they must have a go, and that they must not expect their first efforts to be great. And of course, I wanted to let both groups know that the enjoyment is in the ‘doing’ regardless of the end result.

Although it has earned me a reputation for lacking confidence in my work, my approach was to spread the word by example, and so I adopted the policy of posting ALL of my work, good and bad, and pointing out the things that hadn't worked as well as I'd hoped. I've tried to show beginners by example that it’s okay to ask silly questions, because no question is silly. I've tried to show them that you have to show your bad work if you want advice on how to improve. And I've tried to show them that the best lessons there are, come from our own mistakes. In fact, we learn more from a bad painting than we do a good one.

But what happened with my blog was not at all what I’d expected. I follow other artists because I think they are far better than me and they are skilled people I think I can learn from. Therefore I assumed that if I were fortunate enough to pick up any followers they would be beginners just starting out. I had never, in my wildest dreams (and I have some pretty wild ones) expected to be followed by extremely talented and competent artists as you all are. It makes no sense. 

What I get from following your blogs are lessons in technique, hints and tips, demonstrations (via WIP’s), insight into other mediums, inspiration by the bucketful and the opportunity to view some exceptional art. What I get from having you follow my blog is encouragement, support, advice and a massive sense of belonging. This last point is probably the greatest prize of all.

To mark my 5th blogiversay I thought I’d post a few pictures that have been milestones for me for various reasons. And for any beginners ambling by, I've explained why each of these weren't completely straightforward.

Miniature Rose

Though a simple painting, I've always felt very pleased with this one. It was my first painting of a single flower and I remember struggling with the blending as the darker tones turned to mud.

Captain Jack Sparrow

This one was my first serious portrait. I didn't know anything about graphite blending so experimented using a tightly rolled sheet of kitchen paper, and I remember struggling so much with a 8B pencil as I tried to get some dark blacks.

The Market Square, Northampton

This was my most ambitious pen drawing. It was one of the first pictures that I did a full Work-In-Progress of. There was a lot I didn't know how to do with this one, but I made it up as I went along, and it came out okay in the end.

Steelworker

This one was an experiment in trying to paint 'heat' and I was very pleased with the way it turned out. Much better than I could have ever hoped. This is the only painting I've sold in an exhibition.

Leopard

The best thing I can say about this one is to quote the final sentence from when I posted it on my blog. 

Different pencils and two serious mistakes ... am I disappointed? No ... I am three more step along this wonderful journey of discovery.

Fuchsia "Winston Churchill"

Having started out with watercolours and then discovered the wonder of pencils, I suppose it was inevitable that one day the two mediums would come together into a single picture. Drawing with pencil on a heavily textured watercolour paper was another challenge that I hadn't anticipated ... but I got there.

"We did it!"

If someone had told me at the beginning of this journey that I would draw a portrait of my daughter and son-in-law on their wedding day, I would have laughed out loud.

Frustrating, challenging, and not without it's disappointments, yet this wonderful art journey we are on never ceases to be satisfying, rewarding and so full of enjoyment. To all my followers I say a big, heart-felt thank you .... you're the best.

The Good, the Bad and the Ugly.

A few days ago I went out for a walk and followed a path that cut through a couple of nearby housing estates before eventually leading out into the countryside along the edge of a Wheat field. After about half an hour I found myself on top of a hill with a lovely view of the next village. I set up my stuff and proceeded to paint. I struggled mixing colours and felt as if I was slapping paint around in a haphazard fashion, so much so that after about 40 minutes I gave up. This wasn't what I'd expected after my last, more successful endeavour ... and the church tower looking more like the Leaning Tower of Pisa didn't help in the slightest.

Disappointed in my painting effort but determined to become more proficient painting en plein air I decided to try again. This time I started with a pen on the assumption that the black pen lines would hold the painting together. I found myself moving the pen around quickly and the result was much more sketchy than I'd intended, but I liked it better than the first and so I headed home.

Later in the day, still feeling disappointed that my first effort hadn't turned out as intended, I downloaded to my computer a reference photo I'd taken of the scene, and set up my easel. This time I felt much more in control. I was happier mixing the colours, and was taking greater care with my brush thinking more about lights and darks. I felt that this painting was working and my earlier disappointments soon started to fade.

This is the first time I've painted the same scene both indoors and out and it has proved a valuable lesson. I've learned that I must not expect 'studio' level results when painting in the field, yet I must somehow try and approach a painting outdoors in the same way as I do when I'm at my easel.

The journey continues. ;-)

More Bridges

The good weather coupled with getting caught up with a few things, has allowed me to get out for another walk and some more plein air sketching. This time I went to some local lakes popular with the local angling community. The walk took me through woodland, along open paths alongside the lakes, past fields of hay so tall it must surely be ready for cropping, and past many families of ducks clearly not impressed at my ambling through their territory.

The walk also took me over some small wooden footbridges. One was made of sawn timbers but was surprisingly ornate in it's construction and looked almost out of place out in the middle of an overgrown woodland track. It had seen better days and many of the floor boards were showing signs of rot and I wonder how long it will be before someone puts their foot through it. I was intrigued by is diagonal design, stepping onto it from the side, and off from the opposite side.

Others bridges were less fussy and were nothing more than a few planks nailed together without any form of hand rail. They looked barely capable of holding a persons weight. It is most concerning because if someone were to fall from the bridge they would find themselves immersed in the fast flowing stream right up to their ankles. But I shouldn't joke. This one in particular crossed a stream that could easily have been stepped over, but the ramp up to it tells me it is there to make the area wheelchair-friendly and hats off to the land owners for making the lakes accessible to all.

I decided to set up under the shade of some trees looking up the hill towards Castle Ashby Manor and it's church. The manor is a typical 16th century manor house and was seat to the Marquess of Northampton.

From a technical point of view, I really struggle sketching while standing. Both bridges were done this way. I could have set up my stool but I wanted to try again while standing as it's definitely something I'm going to have to work at. I found the painting easier than last time. Not that I did any better but I felt a little more at ease and a little more in control of what I was doing. I do find it hard to concentrate on colour mixing and tonal values while out 'in the field', but I had a general feeling of 'doing better'. While sketching the ornate bridge a couple appeared out of the woods and made their way across the bridge. I stood my ground and carried on sketching ... and that is progress indeed.

Can't wait for my next walk.  :-)

Bridges and Lock Gates

As my regular followers will know, a while ago I decided I wanted to get out into the countryside and paint en plein air. I did this to some extent with my friend Ingrid when she came to visit a few weeks ago but the weather wasn't very kind to us. Anyway, I've bought myself a backpack specifically for the purpose and the other day I loaded it with sketch pads, paint pads, pens, pencils paints, small folding stool, bottle of water, etc, and headed out into the countryside. Eventually I want to do some long walks but for now I'll keep it local.

The first thing I headed for was a series of bridges near here called The Causeway. They look olde worlde as you drive over them and I felt sure they would make a great subject from down near the river but from that position they actually looked quite ugly being mainly industrial bricks and concrete slabs with a 'decorative' stone wall on top. It was disappointing but I spent about 20 minutes doing this pencil sketch, just for the practice.

From there I headed off along the river bank and after crossing a footbridge and following a narrow trail for a while, I finally came upon these lock gates. This looked like the perfect place to paint so I wasted no time getting set up. I have to say, painting outdoors with the pad on your knee and the paints on the floor, was far from perfect. The sun was really hot and the paint was drying as soon as it hit the paper. I found it hard to be too precise and I've really got to learn to be less detailed when painting outdoors. But it was a great experience and I enjoyed every minute.

Before heading home I pushed through a narrow overgrown path to see what was there for another day and came across another branch of the river next to a Hay field. In the distance I could see what I knew to be the buildings of a local boatyard. I shall come back to this spot another time to paint the scene but for now I spent 10 minutes doing a pen sketch.

Though none of this is what you'd call 'great art', it was great fun. I feel that my art will benefit enormously from making myself do this regularly because painting/sketching en plein air is certainly different from painting/drawing at my desk from a photo. I can't wait for my next opportunity.

Fuchsia "Winston Churchill"

This painting just had to happen one day. I have several hobbies one of which is growing Fuchsia's, and I have about 300 plants covering about 60 varieties. I have a number of favourites but one that has been right at the top of the list for a long time is called "Winston Churchill". Why it was named after him I'll never know because it doesn't typify my understanding of the man. This flower has a very frilly double bloom and is far from hardy, neither quality being very Churchillian. 

Not only do I love this plant but Churchill is my all time favourite hero. As some of you may know, another of my hobbies is photography, so you can imagine just how many fuchsia photo's I have. So it just seemed natural that sooner or later my favourite fuchsia, named after my hero, and photographed by me a zillion times, should make it's way onto my art easel. 


This painting provided a number of challenges and new experiences. It is the first 'serious' painting I've done with both my new Sceptre Gold brushes and using Arches paper. While the painting experience was great with both brushes and paper performing beyond my expectations, the drawing experience was far from good. Drawing a relatively small portrait on a very rough paper like Arches was far from easy and I can't believe I didn't think about this before I started. The paper was very scratchy under the pencil and any form of serious blending was next to impossible. Still, a reasonable likeness was achieved, and I'm pleased about that.

If any of you are interested in seeing some of my flower photo's there is a small slideshow in the sidebar, but I also have a web page on my site showing flowers in my garden from every month of the year. A year in my garden. And for anyone interested in growing Fuchsia's I will soon be adding a page about training Standards to the ones about Taking Cuttings, keeping them bushy and over-wintering.

Sandsend

Last year we were on holiday on the Yorkshire coast, near Whitby. One day we drove north along the coast road to Staithes, which is an artists paradise comprising twisting alleys amongst fisherman's cottages and a gorgeous small river estuary scattered with small fishing boats. It wasn't possible for me to sketch or paint so my camera turned hot taking scores of photo's. Eventually we found ourselves heading back to our holiday home but decided to pause at Sandsend, where the road turns inland briefly to cross a river before turning back to follow the coast. We enjoyed a short walk on the beach and sat to eat a sandwich mainly because that's the best thing to do with a sandwich. Standing with my back to the sea, I took a photo of where the road crossed the river expecting that I might paint it one day. Today is that day. ;-)

Sharing our art

Last week, my good friend Ingrid (Ingrid Ormestad Art) travelled down from Scotland to spend a week with my wife and I. Ingrid and I promised ourselves lots of art, and that's just what we did. In particular we agreed to get out and about with our brushes and do some plein air painting, something neither of us have done before.

We visited Castle Ashby Gardens, which is where I found the Secret Garden I painted a while ago. The sun was shining wonderfully and we sat in the shade of the Arches in the Italian Garden to sketch. It is a very formal Italian style garden with perfectly manicured hedges and bushes. Ingrid chose pencil to sketch a large Urn, and I chose my soluble ink pen to sketch the Orangery at the far end of the garden. I washed in some shadows using my Aquabrush.

After exploring more area's of the garden, including the Secret Garden which looked just as beautiful as it did the first time I saw it, we found a bench to sit on and attempted some painting. We chose this Urn which was set back in dark shadows. Although I'm happy with the Urn, I wish I hadn't tried to paint the dark background.


On the Wednesday we went to London for the day, mainly to visit the Society of Women Artists annual exhibition in The Mall Galleries. It was a great day that started with the Changing of the Guard at Buckingham Palace and ended at Westminster, at the foot of Big Ben. The art exhibition was all we'd expected and it was fascinating looking at so many superb works.

Many of our plein air excursions resulted in us doodling on paper as we discussed painting and drawing techniques and shared idea's. We needn't have gone out to do those things but we just did what we wanted to do at the time, and it was as much fun sharing our methods as it would have been trying to create a new masterpiece. On one occasion, having just set up all our stuff, the heavens opened and the rain fell. We sat in the car until it stopped and then set up again. Not long into our painting, it rained again. My 'masterpiece' got washed from the paper and Ingrid said it looked like a Monet. lol. I may try and finish it because I did take a reference photo before we started.

Not all of our outdoor painting involved travelling. We had several sessions painting and sketching in my garden. One item of garden furniture that received more than it's fair share of our attention was my rusting cast iron Chiminea. Not only did we both paint it and sketch it on more than one occasion, but one evening the three of us sat out until late burning logs and talking.


This was my first art experience in the company of another artist and I have to say I had the best time ever. Exchanging idea's, discussing techniques, looking over each others shoulder and allowing our own shoulder to be looked over, was a very rewarding, informative and satisfying experience. Thank you Ingrid for the best week ever. ;-)

Jack of all trades …

My last several pieces have been in pencil and so I was keen to get back to watercolours. Apart from anything else, I have just treated myself to a new desk easel and 5 new Windsor & Newton Sceptre Gold brushes. But I am somewhat disappointed … not in the new brushes but my own ability.

Recently I found myself waiting for my wife as she attended a funeral and I couldn’t help but kill time (excuse the pun) by sketching the quaint little chapel. The sketch had to be done standing under the shelter of a tree as the wind brought in the beginnings of a shower. (That’s my excuse and I’m sticking to it).

Later, at home, I decided to paint the chapel in watercolours. Fortunately I had taken a couple of reference photo’s which I was very pleased about as my sketch really wasn’t good enough to work from. But the resulting painting was not good. Much too wishy-washy, flat and under-defined. I managed to ‘rescue’ it, to some extent, by using a pen which at least brought in some definition and lifted the flatness … a little.

Another day I decided to paint a Lily from a recent photograph I’d taken. I wanted to make an indistinct background so thought I’d do some wet-in-wet. That soon turned into a mess. I lifted the background off and then reapplied it once the paper was dry, but only managed to achieve the same muddy mess as previously. I considered returning my brushes as “not fit for purpose” but thought better of it. lol. These recent, but not uncommon, struggles with the medium are very frustrating and it has me wondering whether I would be better off concentrating on one medium. Many of my blogging friends seem to work regularly in the same style and medium whereas I am frequently switching back and forth … and that can’t help. You know what they say … “Jack of all trades, master of none”. Ok … so I’m making excuses … I’m off to create a masterpiece … in my dreams. LOL.

White Rabbit

I know I'm not alone in this but sometimes I feel like the White Rabbit in Alice in Wonderland .... "I'm late, I'm late, for a very important date. No time to say Hello, Goodbye! I'm late, I'm late, I'm late!!!". With a number of household and family projects that I've taken on since retiring, and given that it's one of the busiest times for the garden,  I seem to have less time than ever for my art. Still, I am getting things done and enjoying catching up on things that have been left far too long.

My art forum forces me to at least dabble with my brushes as I like to take part in all the projects. I painted my square for the Picture Puzzle. Look at the picture at the top of my side bar called "Making art fun". My square is in the top right hand corner of the picture - the body of the bird hanging off the side of the tree trunk.

I also painted this goose for the Monthly Painting Project.




As a treat for myself, I spent an hour yesterday with my pencils and knocked out this Daffodil. It wasn't intended to be a 'proper drawing', just a bit of fun, but it's turned out reasonable and so I might do a bit more to it ... especially the background.


And these small and quick pictures are all it takes to keep me in touch with my art and to 'scratch the itch'. Anyway, can't stop. I'm late, I'm late ......