"Ian"

For quite a long while now I have been absent from blogland partly due to the loss of my mojo and partly due to a lack of time, however, I've recently had two events that have spurred me on to doing some art again. Firstly, after a long absence from my blog, I was staggered to receive an enquiring post from one of my followers, Hilda Muxo Klinger. To say I was very touched is an understatement. Thank you Hilda. The second event was a commission.

In October 2015, my sister and her husband, Ian, were out together when he suddenly collapsed. An ambulance was called but despite the determined efforts of the paramedics my brother-in-law never regained consciousness. He had shown no signs of illness and was a very active 63-year old. His loss came as a massive shock to us all and my sister was devastated, the suddenness robbing her of any opportunity to say 'goodbye'.

A couple of weeks ago, my sister asked me if I felt like tackling a portrait of Ian. At times like this our 'mojo' is irrelevant and I said I'd be happy to do a pencil portrait for her. Suitable reference photo's were hard to find and none showed his eyes as anything other than black blobs, which showed no life. However, a little artistic licence allowed me to create some 'sparkle' and detail where the photo's had none. I have been quite anxious about doing such an important portrait but today I handed the framed portrait to my sister and I was delighted with her response..... she was thrilled.

And now, with the portrait finished, I find myself wondering "What's next?". That's a good sign, right? But first of all I'm off to have a look at some of Hilda's wonderful pastels.  ;-)

If at first ...

As we all know, not every drawing or painting comes out  to our entire satisfaction. Some artists will paint over work they are displeased with, or scrap it and do it again. That is something I have never done .... until now.

You may remember that just before Christmas I produced a pencil portrait of my father. Though I was fairly pleased with it, there were a few things about the drawing that have always bothered me. Nothing that stops me thinking it's a good portrait and a good likeness, but just little things that maybe only I would notice. These things have been niggling at me and causing me to think I could, and should, have done better. So here is my second attempt .... "Dad 2".

"Vina"

Though we're already two weeks into 2016, I'll still take this belated opportunity to wish all of my blog followers a very happy, healthy, peaceful and arty 2016.

Mid-January already .... where does the time go? One minute we're finishing off our Christmas shopping and getting ready for the big day, and then, in the blink of an eye, we're halfway through January and we have nothing left of Christmas other than some nice memories and a big dent in our bank balance. Bah-Humbug!!! ;-)

Following on from the portrait I did of my father, which I finished just before Christmas, I was both delighted, and honoured to be asked by a very good friend if I would do a portrait for them. Obviously I didn't hesitate and soon received an emailed photograph of the subject, "Vina" (short for "Davina"). The finished pencil drawing was so well received that it has kick-started my 2016 art pursuits in the best way possible and I have a head full of idea's that are bigger, bolder and more challenging (for me) than ever before. I march onward excited and enthusiastic. ;-)

"DAD"

"DAD"

It's been a while since I last played with my pencils, January last year to be precise. but I felt the sudden urge to dust them off and tackle a portrait of my father who we lost last year. Dad has figured in my blog many times over the years. He was a keen woodworker who, although he lacked precision woodworking skills, nevertheless managed to "knock together" some fine pieces. My garden still holds a Gazebo, wooden bench, pair of wooden chairs with matching table, a dovecote, a small log cabin, a decorative wheelbarrow planter, a Train planter and numerous bird tables and nesting boxes. Most of them have been posted here at one time or another. His last piece (made in his 95th year) was a Dolls house mackled together from bits of old plywood, and it came complete with items of furniture fashioned from off-cuts of which there was always plenty strewn around his shed floor. He was extremely pleased with the Dolls house and wanted to give it to a local nursery or play group but it really wasn't good enough for that .... too many unfinished edges and dangerous corners for it to be safe for little people to play with. To ease his disappointment I told him I'd love to have it in my garden as a feature amongst my plants and he seemed to like the idea, so it has stood proudly in one of my flower beds for the last 2/3 years.

I'll be coming back to the Dolls House and it's contents in a future post. In the meantime I knocked out this small pen sketch by way of saying "Merry Christmas" to all my followers.


You're comments and encouragement are very important to me and I can't tell you how much I appreciate your continued support.


Merry Christmas one and all.

Double Portrait

Some time ago, around the middle of November, my very dear friend Ingrid (Ingrid Ormestad Art) asked me how I would feel about drawing a pencil portrait of her husbands sister and brother-in-law, Caroline and Ian. Caroline had sadly passed away some weeks earlier and this was to be a gift for Ian. I was honoured to be asked, and accepted with much delight, but I do confess to being somewhat apprehensive.

I knew I wanted to work on this drawing slowly, over time, and without frequent breaks away from it. Knowing what a crazy month December is, I decided not to touch it until the new year. Thankfully Ingrid was happy for me to do it in my own time and that helped a lot.

About two weeks ago I picked up the reference photo, sharpened my pencil and laid out a blank sheet of paper. As I progressed I took many Work In Progress photo's so that I could show the various stages to my forum members. I won't bore all of my fellow bloggers with them but if anyone would like to see them, and their accompanying explanations, they can be seen here. Work-In-Progress

Although not everything went as well as I would have liked, as you'll see in the WIP, I can't remember the last time I was so content with my art. Sitting at my desk with my favourite music playing and my mind totally absorbed in the movement of my pencil, I was in seventh heaven. The frustrations of trying to control watercolours often drive me to despair but a few minutes with my pencils and those frustrations just melted away.

I have been struggling with my art for some time, especially watercolours, and my confidence has been taking a few knocks, but this project was just what the doctor ordered.

The Grey Lady

Here is a drawing I did for a bit of fun. I took it from a photograph sent to me by a good friend who saw this street performer at the Edinburgh Festival. The performer was dressed all in grey, including grey make-up on her face, and it was that monochrome appearance that appealed to me from a drawing point of view. The shape of this lady was entirely defined by shadows, highlights and textures.

We are not certain, but we believe the street performer was portraying "The Grey Lady" who haunts the family chapel at Glamis Castle. She is said to be the spirit of Lady Janet Douglas who was burned at the stake as a witch on Castle Hill, Edinburgh in 1537. She was accused of plotting to poison the King but the charges were likely fabricated for political reasons. Allegedly, the ghost has been seen quite recently by a number of witnesses.

I'm not entirely convinced by this as the period dress doesn't really suggest 16th century to me, but since it's only a bit of fun, it's as good an explanation as any other.

Fuchsia "Winston Churchill"

This painting just had to happen one day. I have several hobbies one of which is growing Fuchsia's, and I have about 300 plants covering about 60 varieties. I have a number of favourites but one that has been right at the top of the list for a long time is called "Winston Churchill". Why it was named after him I'll never know because it doesn't typify my understanding of the man. This flower has a very frilly double bloom and is far from hardy, neither quality being very Churchillian. 

Not only do I love this plant but Churchill is my all time favourite hero. As some of you may know, another of my hobbies is photography, so you can imagine just how many fuchsia photo's I have. So it just seemed natural that sooner or later my favourite fuchsia, named after my hero, and photographed by me a zillion times, should make it's way onto my art easel. 


This painting provided a number of challenges and new experiences. It is the first 'serious' painting I've done with both my new Sceptre Gold brushes and using Arches paper. While the painting experience was great with both brushes and paper performing beyond my expectations, the drawing experience was far from good. Drawing a relatively small portrait on a very rough paper like Arches was far from easy and I can't believe I didn't think about this before I started. The paper was very scratchy under the pencil and any form of serious blending was next to impossible. Still, a reasonable likeness was achieved, and I'm pleased about that.

If any of you are interested in seeing some of my flower photo's there is a small slideshow in the sidebar, but I also have a web page on my site showing flowers in my garden from every month of the year. A year in my garden. And for anyone interested in growing Fuchsia's I will soon be adding a page about training Standards to the ones about Taking Cuttings, keeping them bushy and over-wintering.

Unknown Knight

Well, I'm sure someone knows who he is, but I don't.

When my wife and I stayed at Bodelwyddan Castle in North Wales some weeks ago, I spent many hours wandering around the castle grounds and formal gardens taking hundreds of photo's as reference material for future drawings and paintings. One of the features I discovered was this statue of a Knight set into an alcove in the East wall of the castle. Despite asking a few people at the time, and checking online since, I've failed to learn the identity of this guy.

I run various painting and drawing projects in my art forum, the primary aim of which is to encourage, help and challenge beginners. I chose this chappy for the most recent drawing project as I thought it might be a good way to tempt people who don't normally draw people, to draw a person without really drawing a person, if you know what I mean. LOL. Anyway, this was my effort and I have to say that I thoroughly enjoyed it.

We've done it!!!

For several weeks now I haven't had the time to post to my blog nor visit any of the blogs I follow. This hasn't been through any lack of interest, but a simple lack of time. I have only a couple of weeks (3 at most) until I retire and my workloads have gone crazy as I try to effect a proper handover to my replacement. I am determined to leave my office ship-shape and Bristol fashion with everything up-to-date and properly in order.

On top of that, I have also undertaken my biggest ever drawing project. Not huge for many of you, but MASSIVE for me. A little under two years ago my only daughter got married. Right then and there I KNEW I just had to do a portrait of her and my new son-in-law on their wedding day. Whilst a nice sentiment the reality is that I am too technically challenged for such a project ... or was. However, where there's a will there's a way ... right? A book by Lee Hammond, plenty of sketching and shading practice, and the will to 'raise the bar' have all contributed.

Scouring through the hundreds of photo's of the wedding I was struggling to find anything suitable. Nearly all the photo's were of posed groups with the happy couple looking straight at the camera. A few had them looking at each other but were obviously posed. Eventually I found the shot I was looking for. It was a poor photo of a crowd and towards the back, my daughter and new husband were exchanging a glance. It was moments after the ceremony and it didn't need words to be spoken for it to be obvious what they were thinking .... "we've done it!".

Daler Rowney "Heavyweight" paper.  220 gms - 15" x 11" 

The photo was taken with flash with a bright window immediately behind them, so lighting was appalling but, nevertheless, it was good enough to work from, especially with plenty of others to refer to for guidance. It has produced a picture of the day that is not in their album and that pleases me greatly. This has taken me almost 2 weeks and I took a dozen photo's of it during the process in order that I might post a WIP. I've had second thoughts about that now but if there is sufficient interest I would be happy to post the stages.

On Saturday I fixed, mounted and framed the drawing and yesterday my wife and I visited my daughter and son-in-law and presented it to them. They like it. ;-)

Another portrait

Flushed with the success of my first portrait, and floating in the clouds on the back of the encouraging comments from my blogger friends, I've had a go at another one. John Wayne was my film hero back in my younger days, many lifetimes ago. I know he played many parts during his career but I always think of him as a cowboy.

While I have no intention of giving up on watercolours, I have to recognise how differently I feel when working with pencil. When painting I know I struggle. I find it difficult to make the paint do what I want it to do and although I've produced one or two passable pieces, they have been hard work and I've felt I've stumbled my way through each one. Pencil, on the other hand, feels comfortable to work with and I feel in control at all times. I feel I am at the limits of what I can do with watercolour, but I feel I am only just beginning to understand pencil and can take it a lot further.

What next? I've a long list of subjects I'm just itching to draw, so watch this space.

My first portrait

Captain Jack Sparrow
(Graphite on smooth Bristol Board)

I've been feeling reasonably pleased with my pencil work of late so decided it was time to step outside my comfort zone and attempt my first ever portrait. I confess to cheating slightly as I deliberately chose a subject that would be easily recogniseable even if I messed up some of the facial features. Captain JackSparrow was a good choice in that respect, but I won't be sorry of I never see another dreadlock as long as I live.

I used a full range of pencils, HB to 8B, on smooth surface Bristol Board (115lbs), as well as a kneadable putty eraser, Blu-tac and home-made blending stumps (must buy some proper tortilions one of these days - LOL).