Flowers design for drawers

A while ago I bought a small set of plain wood drawers for my study. I'd originally thought I might paint them, or maybe varnish them, but my new found interest in Marquetry has opened up another option. 

For my next adventure into Marquetry (every project is an exploration at the moment) I decided to decorate one of the draw fronts. I chose a photo of a Fuchsia from my considerable collection (what do you expect from a keen photographer and Fuchsia grower - LOL) and used image editing software to create a suitable design.

I found choosing a nice mixture of veneers was more difficult than I'd expected and with the benefit of hindsight I think my choices weren't the best. Still, I cut out the various elements of the design, pieced them all together, applied them to one of the drawers, sanded and finally polished and waxed. 

The remaining drawers offer me plenty of future practice opportunities but I won't be sticking to a coherent floral theme. The finished cabinet will be a mish-mash of whatever takes my fancy and will be an eclectic record of my Marquetry progress.

Here are previous posts on Marquetry

Marquetry - My first attempt

Second attempt - Different technique

Iris

I moved into my present house in the winter when the garden was as 'dead' as it could be. I could see that I had inherited many Iris plants, and that pleased me as they are one of my favourite flowers. What I hadn't expected was the range of varieties in the garden. Some with small flowers, many with regular size flowers, and one with giant flowers. And the colours range through bright yellows, cold blues, warm oranges, autumn colours and deep Indigo's. 

That first summer I couldn't wait to get outside with my camera and as each bloom opened I was delighted to discover 16 different varieties. As a fairly useless, uninformed, wanna-be gardener I have no idea what the names of them are so I lump them all into one category ..... "Gorgeous". 

It was obvious that I'd have to paint them at some point, and the one above is the first.

 

Snowdrops

Since my last dogs portrait I've been working on something much more difficult and, surprisingly, demanding much closer attention to detail. It's taken a couple of weeks to do but I can't say any more about it because it's something I've drawn as a gift for someone. I doubt that they would ever visit my blog but I'm going to err on the side of caution and not post the piece here yet. I'm excited about what I've done and am bursting to show you all ..... but it'll have to keep for another couple of weeks.

In the meantime I thought I'd show you my Snowdrops. I am blessed with a garden that oozes Snowdrops at this time of the year and they grow just about everywhere ... in the lawn, in the flower borders, in the gravel driveway and even in crevices between rocks. As a keen photographer I'm always trying to get that perfect shot of them and I must have hundreds of photos. Here is just a small selection together with my latest attempts at both painting and drawing them.

Oh, if any of you want Snowdrop reference photo's for your artwork just let me know and I'll look at the high-resolution originals for you. ;-)

Easing my way back

After a long abstention from painting I have finally taken up my brushes again. Regular followers will know that I enjoy working with Line & Wash and it therefore seemed the easiest way to ease myself back into painting. The first painting is an oval tub of Fuchsia's. Though I'm not a great gardener (pretty bad actually) I do have a passion for Fuchsia's. I have about 60-ish named varieties, and several plants of each, so that's a lot of plants. My garden is littered with containers and terracotta pots containing fuchsia's. This small oval tub with its weather stained wood and rusting straps contains a variety called "Snowcap".

The second painting is a sketch of a Narrow Boat I saw when walking the tow path of a stretch of the Grand Union Canal that passes fairly close to here. I find I can sketch plein aire much better than I can paint, so this medium suits me very well as I can do the line work in the field and add the colour back at home.

Finally, something completely different for me. In my forum we run regular challenges and this one was simply called 'Heat'. No pen or pencil here ..... just lots of wet yellows and oranges. It's entirely made up and looks more 'abstract' than anything else. Still, it looks hot, and that was the objective.

Rose

A few weeks ago I decided to paint a flower. I thought it would be a 'start today - finish tomorrow' sort of painting, but boy, was I wrong. First of all I didn't have as much time as I'd planned and had to work in many short sessions as opportunities presented themselves. I don't like working like that, especially with watercolours. Secondly, and more importantly, I found it much harder than I'd expected and just couldn't get the colours blending together the way I wanted them. I found some of my glazes turning to mud and it took me a while to realise it was whenever I used Alizaron Crimson as part of the mix. I suppose all of you experts out there already knew this, but I didn't. Several times I 'lifted off' the muddy area's and tried again. I finally achieved a result I could settle with and so I'm calling it 'finished'.

But I think I've made a very bad mistake with regards to composition. To give the flower bloom a grounding I invented some foliage but I'm not at all happy with the way it looks. It's too contrived and I now think a single stem with just 3 or 4 leaves would have been better. Anyway, it's all about 'learning' and I certainly learned a lot doing this one.

On a positive note, it's not that long ago I'd have attempted something like this using single washes and going wet-in-wet, which is not something I'm good at. I feel that by using many layers I've achieved a much greater depth to the painting. It may be a more time consuming and fiddly process, but it pays dividends with something like this.

Trying something new.

Though I haven't been getting any time for art recently, I was away on holiday for a few days the week before last and I decided to have a go at painting a flower by following the instructions in a new book I have by Michael Lakin. He is a wonderful botanical artist and I thought it would be interesting to try his technique.

The subject is a Rose and included with the book was a tracing, so I can't take any credit for the drawing. The painting process was hugely different to anything I've tried before. It involved putting on pale graduated washes, letting them dry, and then adding another, gradually building up the painting in layers. I know some of you already work this way and I was keen to experience it for myself. In total I put on something like 7 or 8 layers. It was interesting putting a wash of French Ultramarine on top of the Cadmium Red petals ... something I would never have dreamed of doing.

I started the painting nearly 2 weeks ago and it has taken me 3 sessions in all to complete it. I was surprised at what a slow process it is. I shall definitely try this method again soon but I'll leave it until I have enough time ... it's not a method to be rushed, that's for sure.

And big apologies for not getting round your blogs as much as I'd like ... I'm missing all your wonderful art.

Blind Snowdrops

Some weeks ago I received a message through my web site's contact page that took me aback. A lady wrote to tell me that her mother was so in love with one of my photographs that she was seeking permission to use it as the subject for a window blind in her newly decorated bathroom.

The photograph in question is my favourite of all the Snowdrop photographs I've ever taken. I am blessed with a garden that has more than it's fair share of Snowdrops and they come up in abundance every January. It is an annual ritual for me to get out there with my camera trying to find new ways of capturing the beauty of these wonderful little flowers.

Anyway, I was happy to grant permission for my photograph to be used in this way and promptly sent off a high resolution version. I also asked if I could be sent a photo of the finished blind, just out of interest. A couple of days ago I received an email telling me the blind had been made and fitted and attached to it was a photo. I post it here for you to see. I would never, in a million years, have expected that one of my photo's could be used in such a way, and I can't tell you how flattered I feel.

Talking of photography, I have finally treated myself to a new DSLR. I chose a Nikon D5100 but bought the camera body only and added to it a Tamron 18-270mm Zoom Lens. The lens cost as much as the camera. LOL. I know the Nikon lenses are a better quality but I want to do a lot more walking and I don't want to carry lenses and get involved with changing them often. A one-lens-for-all-purposes suits me better even though there is a slight compromise in image quality. Can't wait for the Snowdrops now.

Finally, I have decided what to do with my miniature pencil drawing. I've mounted it in a clear plastic Coaster.

I took an unused coaster that had some promotional material inside it and carefully prised it open. I then made a 'surround' in Paint Shop Pro, printed it out and then cut out a centre rectangle for the drawing. The finished Coaster now lays on my desk where I can place my hot cups on it. It's nice to have finally found something useful to do with my art. LOL.

I'll take this opportunity to wish all of my fellow bloggers the very best of the seasons greetings. I hope you all have a very Merry Christmas. ;)

Not enjoying painting ...

... but I'm not talking about THAT sort of painting. I'm talking about painting doors, window frames, skirting boards, etc. We're giving our living room a serious make over. I've always wanted a smooth flat ceiling yet every house we've ever owned has had the old-fashioned Artex stippled ceiling. On a few occasions I've stripped the Artex off myself and put up a textured ceiling paper. LOL ... that's fun if you've never tried it, papering a ceiling. However, this time I decided to have the job done properly so we had a tradesman in to re-plaster the ceiling for us, and it looks great. While I had the walls stripped of wallpaper I took the opportunity to run in some electric cables to give us some extra power points.

The best bit is that we've also decided to refurnish the room so it's out with the old 3-piece suite and in with something new. We are having two 2-seater Sofa's, one of which is an electric recliner and a 'special' chair for me. I have ordered a real Stressless recliner by the Norwegian manufacturer Ekornes. It's not a cheap option but once you've sat in one ..... hmmmmm.

Anyway, it's all coming together well and the end is in sight, which is a good thing because I haven't touched a brush (art type) or a pencil for weeks. The new furniture arrives next week and I've decided that the very last item to be put into the newly decorated room will be MY chair. So this post is by way of a warning that I'm likely not to post again for a while because once I'm in that chair I'm not moving for at least a month.

Because I have no art to share, I've decided to do something that I've been thinking of doing for a long time but never seem to get round to it .... share with you one of my other hobbies, photography. I have a Sony H9 Bridge camera with Zeiss lens and 15x optical zoom. It's a very versatile bit of kit but not in the same league as DSLR, which is something I'm thinking of getting very soon. I've never really been able to justify the cost of a good DSLR with the few opportunities I've had for photography, but now I'm retired things should be different ... if I can ever drag myself out of that chair.

A selection of my photo's are in a slideshow in my sidebar, and here are a few others. I hope you like them.

    

Five years on.

Tempus fugit … Time flies. And it’s never been truer than with my blog. I first started blogging 5 years ago today. FIVE YEARS!!!

When I dived head-first into the world of blogging it was to add another dimension to my web site. My web site had been started some 8 years earlier in the hope of getting feedback and advice on the results of my newest hobby, painting. As I progressed (albeit very slowly), time and time again I came across people who had thought of having a go at watercolours, but never taken the plunge because they didn’t think they’d be any good at it, and others who had tried once, not produced a masterpiece, and therefore given up. I became increasingly aware of a burning desire to tell these people that they must have a go, and that they must not expect their first efforts to be great. And of course, I wanted to let both groups know that the enjoyment is in the ‘doing’ regardless of the end result.

Although it has earned me a reputation for lacking confidence in my work, my approach was to spread the word by example, and so I adopted the policy of posting ALL of my work, good and bad, and pointing out the things that hadn't worked as well as I'd hoped. I've tried to show beginners by example that it’s okay to ask silly questions, because no question is silly. I've tried to show them that you have to show your bad work if you want advice on how to improve. And I've tried to show them that the best lessons there are, come from our own mistakes. In fact, we learn more from a bad painting than we do a good one.

But what happened with my blog was not at all what I’d expected. I follow other artists because I think they are far better than me and they are skilled people I think I can learn from. Therefore I assumed that if I were fortunate enough to pick up any followers they would be beginners just starting out. I had never, in my wildest dreams (and I have some pretty wild ones) expected to be followed by extremely talented and competent artists as you all are. It makes no sense. 

What I get from following your blogs are lessons in technique, hints and tips, demonstrations (via WIP’s), insight into other mediums, inspiration by the bucketful and the opportunity to view some exceptional art. What I get from having you follow my blog is encouragement, support, advice and a massive sense of belonging. This last point is probably the greatest prize of all.

To mark my 5th blogiversay I thought I’d post a few pictures that have been milestones for me for various reasons. And for any beginners ambling by, I've explained why each of these weren't completely straightforward.

Miniature Rose

Though a simple painting, I've always felt very pleased with this one. It was my first painting of a single flower and I remember struggling with the blending as the darker tones turned to mud.

Captain Jack Sparrow

This one was my first serious portrait. I didn't know anything about graphite blending so experimented using a tightly rolled sheet of kitchen paper, and I remember struggling so much with a 8B pencil as I tried to get some dark blacks.

The Market Square, Northampton

This was my most ambitious pen drawing. It was one of the first pictures that I did a full Work-In-Progress of. There was a lot I didn't know how to do with this one, but I made it up as I went along, and it came out okay in the end.

Steelworker

This one was an experiment in trying to paint 'heat' and I was very pleased with the way it turned out. Much better than I could have ever hoped. This is the only painting I've sold in an exhibition.

Leopard

The best thing I can say about this one is to quote the final sentence from when I posted it on my blog. 

Different pencils and two serious mistakes ... am I disappointed? No ... I am three more step along this wonderful journey of discovery.

Fuchsia "Winston Churchill"

Having started out with watercolours and then discovered the wonder of pencils, I suppose it was inevitable that one day the two mediums would come together into a single picture. Drawing with pencil on a heavily textured watercolour paper was another challenge that I hadn't anticipated ... but I got there.

"We did it!"

If someone had told me at the beginning of this journey that I would draw a portrait of my daughter and son-in-law on their wedding day, I would have laughed out loud.

Frustrating, challenging, and not without it's disappointments, yet this wonderful art journey we are on never ceases to be satisfying, rewarding and so full of enjoyment. To all my followers I say a big, heart-felt thank you .... you're the best.

Rose

A week ago I sat down to draw a Rose. I wanted to try and get some nice smooth blends so looked for the smoothest paper I have. What a mistake that was! I chose Extra Smooth Surface Bristol Board (250 gsm) thinking it would 'be the business'. I wanted to build up my tones gradually so started light with a hard (5H) pencil. All was well until I started to blend, and then I found the tortillons were leaving unpleasant streaks on the paper rather than giving a smooth graduation of tone. I switched to paper-based stumps but they were just as bad. I persevered, building up tones with more graphite, switching to a softer (H) pencil, and blending, blending, blending. The end result was very disappointing ... and I was disappointed in my own efforts because I've never been a workman who blames his tools.

To try and salvage the drawing, I went over it all again with softer (2B; 4B) pencils and eventually, after a very many hours and much toil, achieved a result that was 'passable'. But it was bothering me that I'd had so much trouble so I just had to try again. I was unsure if the problem was the paper, the pencils, the blenders or me, I didn't want to change everything or I'd never answer the question. I've always felt happy with the pencils, the blenders have always worked before, and I didn't want to change 'me' or I'd have missed the experience, so I looked for a different paper. This time I chose Daler Rowney Heavyweight (220gsm).

Apart from the change of paper, I approached the whole thing as I did first time around ... but what a difference. The tones built up gradually, as planned, and the blending was smooth and delicate. I felt in control again and things were happening the way I wanted them to.

I can only conclude that the Extra Smooth Bristol Board just doesn't have enough tooth for this sort of work ... and if I'm wrong please don't tell me 'cause I'm finally feeling happy again. ;-)

Fuchsia "Winston Churchill"

This painting just had to happen one day. I have several hobbies one of which is growing Fuchsia's, and I have about 300 plants covering about 60 varieties. I have a number of favourites but one that has been right at the top of the list for a long time is called "Winston Churchill". Why it was named after him I'll never know because it doesn't typify my understanding of the man. This flower has a very frilly double bloom and is far from hardy, neither quality being very Churchillian. 

Not only do I love this plant but Churchill is my all time favourite hero. As some of you may know, another of my hobbies is photography, so you can imagine just how many fuchsia photo's I have. So it just seemed natural that sooner or later my favourite fuchsia, named after my hero, and photographed by me a zillion times, should make it's way onto my art easel. 


This painting provided a number of challenges and new experiences. It is the first 'serious' painting I've done with both my new Sceptre Gold brushes and using Arches paper. While the painting experience was great with both brushes and paper performing beyond my expectations, the drawing experience was far from good. Drawing a relatively small portrait on a very rough paper like Arches was far from easy and I can't believe I didn't think about this before I started. The paper was very scratchy under the pencil and any form of serious blending was next to impossible. Still, a reasonable likeness was achieved, and I'm pleased about that.

If any of you are interested in seeing some of my flower photo's there is a small slideshow in the sidebar, but I also have a web page on my site showing flowers in my garden from every month of the year. A year in my garden. And for anyone interested in growing Fuchsia's I will soon be adding a page about training Standards to the ones about Taking Cuttings, keeping them bushy and over-wintering.

Jack of all trades …

My last several pieces have been in pencil and so I was keen to get back to watercolours. Apart from anything else, I have just treated myself to a new desk easel and 5 new Windsor & Newton Sceptre Gold brushes. But I am somewhat disappointed … not in the new brushes but my own ability.

Recently I found myself waiting for my wife as she attended a funeral and I couldn’t help but kill time (excuse the pun) by sketching the quaint little chapel. The sketch had to be done standing under the shelter of a tree as the wind brought in the beginnings of a shower. (That’s my excuse and I’m sticking to it).

Later, at home, I decided to paint the chapel in watercolours. Fortunately I had taken a couple of reference photo’s which I was very pleased about as my sketch really wasn’t good enough to work from. But the resulting painting was not good. Much too wishy-washy, flat and under-defined. I managed to ‘rescue’ it, to some extent, by using a pen which at least brought in some definition and lifted the flatness … a little.

Another day I decided to paint a Lily from a recent photograph I’d taken. I wanted to make an indistinct background so thought I’d do some wet-in-wet. That soon turned into a mess. I lifted the background off and then reapplied it once the paper was dry, but only managed to achieve the same muddy mess as previously. I considered returning my brushes as “not fit for purpose” but thought better of it. lol. These recent, but not uncommon, struggles with the medium are very frustrating and it has me wondering whether I would be better off concentrating on one medium. Many of my blogging friends seem to work regularly in the same style and medium whereas I am frequently switching back and forth … and that can’t help. You know what they say … “Jack of all trades, master of none”. Ok … so I’m making excuses … I’m off to create a masterpiece … in my dreams. LOL.

Fuchsia - coloured

Fuchsia "Blackie"

I stood the ink drawing of the Fuchsia (see previous post) on my shelf where I could see it as I came and went into my 'study'. I always do this as it helps me to see them through the eyes of others after a while.

Anyway, the starkness of this sketch has been screaming at me to add some colour. In the end I gave in and washed in a weak Cadmium Red on the Sepals, and a weak Purple Lake to the corolla (petals).

In truth, the sepals should be much more vivid and the corolla ought to be very dark, almost black. Even so, I like this much better and have decided to do a proper painting of this flower when I can.

Fuchsia

Fuchsia "Blackie"

I just haven't been able to do any drawing or painting lately and just had to do something. You know what it's like ... that itch just has to be scratched, no matter what.

With very little time I decided a quick pen sketch was the order of the day. Besides, I like the challenge of going straight onto the paper with ink. It is unforgiving and is a great confidence builder. As my regular followers will know, I'm rather partial to using non-permanent ink and a wet brush.

Normally I would choose a hard landscape to sketch with pen, but I thought it would be interesting to try something softer this time. I'm a very keen Fuchsia grower with several scores of different varieties. The delicate frills of this "Blackie" (really a very deep dark purple) was just what I was looking for.

Winter blues?

Not me! Here in the UK (he says, bearing in mind that our cyberworld is truly global), we still have a lot of winter to get through, and in some area's the worst of the snow and bad weather is still to come. It's all to easy to stay indoors in the belief that spring is a long way off. 

Having just spent a delightful couple of hours in my garden, sucking up fallen leaves and clearing away dead and rotten foliage from deciduous plants, I couldn't help but notice the signs that spring is coming. Some trees and plants just seem too impatient to wait for the better weather. 

With the birds whistling and singing, and buds forming in the Lilac's and Ribes, the rebirth that our gardens experience every spring is already clearly evident. The Verbena's have already formed clusters of small flower buds and their dark green leaves look just a little less weary than they did. 

I found Ladybird sheltering on this one so carefully took her into my greenhouse where she'll be much warmer. She'll repay me later when all those nasty aphids try to make my young cuttings their home.

The Snowdrops have been busily pushing up their new green shoots since Christmas and the first of the flower buds are now visible. Another week should see some of them opening, and a couple of weeks from now, they will be in their element. As usual, I will be out there with my camera, getting down in amongst them.

So whereas the first half of winter is about watching our gardens die off into hibernation, the second half is about awakening, new growth and the promise of a joyful spring just around the corner.

Rose

This is something different for me, and I'm quite pleased with it.

Most of us have a favourite Rose, or a Rose that has a special meaning to us. Like many pet owners, when our beloved dogs pass on, we like to buy something for the garden as a token of remembrance. Our last pet was a brindle greyhound/sheepdog cross called Tess. Soon after she died we came across a rose at a garden centre called "Tess of the D'urbervilles" and we just had to buy it.

This Rose has no special meaning. It is just one of the Minature Rose varieties, but it's small size in no way detracts from it's beauty.

Year round garden

There is no way I could ever call myself a 'gardener' as I don't have a great deal of knowledge of plants or the conditions they all require, however, I do appreciate having a garden that always looks nice and always looks cared for. Since purchasing my current property, which already had a nicely laid-out garden, I have looked for ways to give it year round interest but with minimum effort. As a very busy working man I have too little time for tending to a garden and I quickly realised that summer bedding plants, as nice as they are, only fill the garden during the summer.

As a result, I started to take cuttings from shrubs to increase their numbers, and also purchased a new shrub from time to time. Over the last few years, the space for bedding plants has reduced dramatically, and now I have very few empty places for the scores of annuals I used to put out every June. This has a number of advantages. Firstly the garden never looks empty even in the winter. Secondly, where there's a plant there can't be a weed. Thirdly, maintenance is reduced quite considerably. And finally, there is always something going on to look at and be interested in. It is this last point that has formed the focus of my latest web page ... "My Garden". The page shows flowers from every month of the year and there is no part of the year where there isn't something going on.

With my trusty new camera I am having great fun taking photo's of the ever changing display of colour in my garden and I will continue to post my latest photo's on my web page. Since my main passion are Fuchsia's and since they are beginning to flower about now, I am really looking forward to snapping lots of Fuchsia photo's over the next few months. I may even make a web page specifically for them especially since my pages about Fuchsia Cuttings and Fuchsia Care seem to be so popular.