Woodburning: A Lion

Back to Pyrography. Having attempted a couple of scenes on scraps of wood I decided it was time to buy something more suitable. Thinking about a smooth surface, and also the cost since I am only experimenting at this stage, I bought a sheet of 3mm Plywood from my local DIY store. 

I cut a piece about 8" x 6.5" and smoothed it over with a very fine sandpaper. I used a fine point nib and tried to move the 'pen' over the wood as smoothly as possible. I still had issues with the nib 'catching' in the grain of the wood despite it's super smoothness, so I guess that's something that experience will help with eventually.

Just as when I'm drawing with a Fineliner ink pen I allowed the darker tones to build up by repetition and just kept adding marks to deepen the tones as required.

Since producing this piece I have discovered that Plywood is NOT recommended for wood burning because of it's construction. Man-made woods such as Plywood, Particle board (MDF) and Chipboard contain glues. I may use up my sheet for small and quick practice pieces but for anything serious I need to find a natural wood such as Cedar or Maple, to name just two.

Previous posts on Pyrography

Pyrography
First attempt

Pyrography
Second attempt

Pyrography
Third attempt

Kiya

 

"Kiya"

We have a saying here in the UK to describe when an event doesn't occur for a very long time and then all of a sudden it happens multiple times. We say "They're just like buses ... you wait all day for one and then three come along at once". That's what has happened to me with regards to Dog portraits.

A short while ago I was asked to do a double portrait of Rocky and Alfie for a relative. That was quickly followed by a request to paint Buddy for the relatives friend after he'd seen the Rocky & Alfie portrait. When I handed Buddy over to my Brother-in-law for him to give to his friend, he quickly followed it up by asking if I'd do another one for the friends friend. 

This time it is a Cocker Spaniel called Kiya who passed away unexpectedly. Apparently Kiya's owners only had a few photo's on their phone and desperately wanted something better to remember him/her by. Obviously I agreed and sharpened up my pastel pencils.

Previous Dog portraits in pastels

"Buddy"

"Rocky and Alfie"

Buddy

 

"Buddy"

After the success of the last double dog portrait I did for my nephew, my sister and brother-in-law asked me to do another for their friend who has recently lost his Collie called Buddy. 

Once again it is with Pastel Pencils. I have always avoided Pastels because my one brief early attempt with them was a disaster and created nothing more than a horrible, dusty mess. I decided they just weren't for me. When someone bought me a small tin of Faber-Castell Pitt Pastel Pencils I attempted to paint a tiger and was very surprised with the result. Now they are my medium-of-choice when faced with a pet portrait to paint. I remain in awe of all those who can create their art using the chalky stick variety.

Other animal portraits on my web site

Gorilla

Tiger

Rocky and Alfie

Kitten on fence

 

As you will all know, I run a small Art Forum on my web site. My site and the forum are specifically aimed at encouraging beginners to art in the hope that we can help them through that initial "I can't do this" phase. 

To that end we run a few projects and challenges and one of the most popular is the Monthly Painting and Drawing Project which invites all the members to paint or draw the same subject. Members often find themselves attempting a subject that they wouldn't normally attempt, and the expression "out of my comfort zone" is very common.

Being outside of one's 'comfort zone' is an excellent place to be because it causes you to have to try harder and it leads to more mistakes, and as we know, 'mistakes' are where you do all you're learning. There's not a lot to learn from something that you can do easily and competently.

One of the members chose this picture of a kitten walking along the top of a fence for one of the challenges. I can't imagine I'd have ever chosen this subject to draw under normal circumstances but I really enjoyed doing it. My young granddaughter loved the picture too, so it's now hanging on the wall of her bedroom. Happy days!!

Some more Pencil drawings from my web site

Rain Stops Play

Sunset Over Buttermere

Sunny Daffodil

Rocky & Alfie

A while ago, when the second of my nephew's two dogs passed away, my sister asked me if I'd be able to do a painting for him that included both dogs together. Obviously I agreed to do what I could and asked her to send me some photo's. 

When I received the photo's I was far from happy. Rocky, the small collie, was never looking at the camera, and all the pictures of Alfie, the German Shepherd, had his fur drenched with water and plastered down. I couldn't see any way I could get a decent painting from the references I had. I considered using artistic licence to paint Alfie dry, with ears up and soft, fluffed up fur, but doubted my artistic skills would stretch that far.

I spoke to my sister about my dilemma and suddenly things didn't seem so hopeless. She explained that Alfie was a terror for diving in the river. Every time he went out for a walk it was his destination of choice and he always came home soaked through. Even other walkers my nephew met along the way knew Alfie as the dog that swam in the river. Getting wet was his character and it would be nice to remember him that way. As for Rocky, despite his strong name he was a timid dog who looked up to Alfie and followed him everywhere .... except in the river.

Other animal portraits on my web site

Eagle

Gorilla

Tiger

Trying my hand at Pyrography

Pyrography is the posh name for Wood Burning. While searching online for information about my new-found hobby of Marquetry I came across several videos on wood burning. I became equally interested in having a go so dropped a hint in my annual letter to Santa. As always, he came up trumps and presented me with an inexpensive Wood Burner so I could dip my toe in this particular pond. 

I grabbed a scrap of hardboard from my garage, gave it a light sanding, and marked out a rough outline of a Hare in pencil. Once my burner was up to temperature, I set too burning the wood with a fine pointed tip. As a pen and ink artist I found the process of 'drawing' quite familiar and was very pleased with my first effort. There are obviously lots of differences to drawing with a pen. The slower you move the burner, the more burnt the wood so the darkness of line is achieved by the speed of the nib. 

Lots to learn, that's for sure, but I certainly enjoyed this first effort.

Second attempt - A different technique

I've now had a second go at marquetry using a different technique. Without getting technical, the first one was done using the "window" method and this one using the "Double Bevel" method. This technique involves cutting two veneers at the same time, but that ensures the shapes fit together better, with much fewer gaps and a much tighter fit. So that I had a sound comparison between the two methods I used the same Robin picture as before, but reversed. What I hadn't expected (though I should have) was the huge effect the veneer choices had. The two Robins look quite different from each other and although I'm happier that this piece is more technically sound, I prefer the overall look of the first piece despite its faults. Lots to learn, that's for sure.  ;)

Marquetry - my first attempt

I've always liked the look of wood, especially polished wood with pronounced grains. I have a very old wooden model boat that I wanted to restore and while researching online how I could strip it back and polish it up, I stumbled across Marquetry. Though I put it out of mind initially, the idea of making pictures from wood veneers kept niggling at me. Obviously it was an itch that just had to be scratched.

Many hours were spent watching online video's and reading articles on the subject, but I've never been one to learn that way. I'm very much a hands-on, trial-and-error, figure-it-out-as-you-go sort of guy, so I sent for a small pack of mixed veneers so I could have-a-go. Though many sites suggested very simple shapes to begin with, I thought I'd learn more by trying something a bit more testing. 

From my own collection of photos I chose a picture of a Robin that I've painted and drawn many times, and I traced over it just in very approximate outlines. I played with various veneers considering the direction the grains should run and the overall 'tonal value' of the wood. Viewing the photo in greyscale helped a lot when choosing lights and darks.

There are a number of different techniques with Marquetry. As a beginner I chose the "Window" method as it looked the easiest. The first thing I learned when cutting is how easily the knife slices through the wood when going with the grain, but how hard it can be when cutting across the grain. Cutting irregular shapes proved harder than I'd expected and the very thin veneers often split. I'm hoping experience will help me get better at that.

Finally I had all the pieces taped together and I glued the whole thing onto a scrap of wood. I gave it a good sanding and several layers of Shellac varnish to finish it off.

Though this isn't an accomplished piece of work, I'm not disappointed in it. The gaps between the  various pieces leave much to be desired and the veneer choices could have been better, but I learned so much from the process. Next I will try a different method to see if that suits me better. If YOU have experience of Marquetry I'd love to hear from you.

As for the model boat.... I'll be covering that in a future post.

Rainbow Trout

The weather here is not very good today and the constant rain and gusty winds are keeping me indoors, yet again. I've decided to have a 'lazy' day today and spend the time in my Den-cum-Study-cum-Office-cum-Studio and get some art done.

It's been quite a while since I last painted anything using watercolours so I decided to dust off my brushes for the latest Painting Project in my art forum. I confess to struggling somewhat with the colours and tried to add multiple layers of paint which seemed to be the perfect way to create lots of green muddy gunk. As it happens, though the painting isn't as 'fresh' as I would have liked, the finished article doesn't actually look as bad as I thought it would.

Tiger

Some time ago I was looking at my Gorilla drawing and quite liking the close-cropped tight composition and I decided I'd like to try another one. As I said in my Gorilla post I very much liked the intense blacks achievable with charcoal (as opposed to the greys of graphite) so I also fancied working in charcoal again.

Looking for a suitable subject I came across this Tiger. I briefly contemplated doing a black & white study but decided it wouldn't be the same without colour. The end result of my deliberations was to tackle a close-cropped Tiger portrait using pastels (Faber Castell Pastel Pencils to be precise). It's taken much longer to produce than I'd expected but I know more about pastels now than I did. LOL.  ;-)

Gorilla

A week ago I saw an art program on TV and it included a brief look at an artist using Charcoal Pencils. It reminded me that I have a set that I've never used. I was impressed by the blackness of the blacks and the extra 'drama' in the resulting picture as a result. I achieve reasonable blacks when working with graphite but 'graphite shine' can be an issue if too many layers are applied. 

Anyway, I was feeling inspired enough to dig out my unused set of Charcoal Pencils and have my first experience of working in this medium. To appreciate the 'blackness' of charcoal I chose a subject that needed plenty of deep juicy blacks so chose this Gorilla. 

To be honest I found the Charcoal pencils not only messy to work with (compared to graphite) but difficult to sharpen. I found blending took more effort than it does with graphite and trying to erase unwanted marks was impossible. 

I'm really pleased I gave this medium a try and learnt a great deal just by doing this one picture, but I don't think I'll be rushing to do another charcoal drawing. For anyone interested I've put a Work In Progress page on my main web site showing the various stages.

Rhinoceros

While doing this drawing of a Rhinoceros I had serious doubts about some really bad habits that I've allowed to creep into my technique. Not for the first time I've been very conscious of how much blending I do. I'd go as far as to say I draw more with my tortillions than I do with my pencils. I'm aware that over blending flattens the tooth in the paper and leads to more 'graphite shine' so it's not necessarily a good thing to do to excess. That said, it's become an essential part of how I draw so that raises other questions in my mind, mainly, if the end result is acceptable then how much does the process of how we get there matter? What are your thoughts on Technique versus Results?

I took a photo of this grazing Rhino at the West Midlands Safari Park a couple of years ago with the express purpose of capturing him in graphite, which just goes to show I get there in the end. LOL.

Pastel Pencils

"Sally" - Pastel Pencils - 8" x 6"

It's been a long time since I last participated in blogland as 'life' gets in the way sometimes, as we all know. Though I'm not properly back into my art yet I did have an opportunity a few days ago to draw or paint for a short while. Last Christmas my daughter bought me a small set of Pastel Pencils because I'd expressed an interest in them and I thought it about time that I got them out and had a play. I don't know what sort of thin card I used so don't know how typical it is or how it compares to 'proper' pastel card but this oddment was lying around so it seemed sensible to use it for my first trial. I have to say I found the experience quite enlightening. I  found the mixing of colours on the 'canvas' and the blending process so much easier than with coloured pencils. On the negative side I did find sharpening the pencils difficult as some of them kept breaking and obviously they don't keep their point for long. All in all I really enjoyed my short venture into Pastel Pencils and hope to do a lot more with the, in the future.

Scurry racing

For some time now I've fancied trying to draw something bursting with drama and action but finding a suitable subject hasn't been easy. A few weeks ago I had the idea of Horse & Carriage racing having seen a photo of Prince Philip doing just that. Searching the web I discovered the Facebook page of photographer Paul Orchard whose wife Chris Orchard races scurry's. Paul's site is oozing with fabulous photo's of this action-packed sport and one photo jumped out at me. Dropping him an enquiring line I was delighted when he replied saying I could use his photo as a reference.

The picture is of Chris Orchard (driver) and Charlotte Kenyon (counter balance) and the scurry is being pulled by ponies "Rough and Tumble". The event was the Horse of the Year Show  at the NEC in October 2015.

Ink & Coloured Pencils

As I sat watching television a few evenings ago I drew this Robin in my sketchbook using Pen & Ink. I wanted to see if I could demonstrate it was a Robin just by tonal values alone. There is hardly any difference between the tonal values of his red breast and his brown feathers when viewed in greyscale so I tried to exaggerate the tones in my drawing but it didn't work too well.

Dissatisfied with the result and thinking he didn't really look like a Robin I decided to add some colour using coloured pencils. I liked this effect very much and I think that is probably because the ink drawing was a finished piece in it's own right, rather than just the preliminary stage of something more. This became more apparent when I drew the Chaffinch and Blue Tit. They don't work as well, in my opinion, because they have much less ink detail which is probably because I was well aware at the ink stage that colour was too follow.

I liked the effect of the Ink with Coloured Pencil so much that I went back to a couple of previous pen drawings and added colour to them in the same way. Though I always like them in their original ink form (yes, I actually said "I liked them" lol) I have to say that I like them even more with the added colour. Oh, I didn't risk ruining the original pen drawings as I printed them out and worked on the copies. This is definitely a mixed media that I will work with again.

"Bear"

No, not a big brown grizzly from the deep, dark, dangerous recesses of Whipsnade Zoo but my sisters Long-Haired Collie dog called "Bear".

Though I've tried using coloured pencils before I really haven't managed very well with them. My main problem has been blending and I suspect that is because I expected colours to mix as they do with watercolours, and the pencil strokes to smooth out as they do with graphite. Of course, neither is true. A short while ago I decided to have another go with coloured pencils and chose an old photo of "Bear" as my subject. This time I feel the penny dropped with regards to the blending and mixing and I achieved a result I'm not displeased with.

The picture is now framed and has been handed over to my sister who seems to be delighted with it. A good result all round. ;-)

New year, new beginnings

Happy New Year to all my blogging friends. ;-)

For me, 2014 wasn't a great year. It started with me packing up my parents belongings and selling their home of nearly 50 years, helping them to move away from the town they've lived in for almost all of their 68 years of marriage. They now live 130 miles away with my sister, and whilst that has been the best result for them, it has been difficult for all concerned .... and I miss having them nearby. They have both had periods of illness that involved many journeys up and down the motorway visiting them and providing support to my sister. Sadly Dad passed away in October. He was 96 and suffering with Alzheimers, so in many ways it was a blessing I think. Mum has had more than her fair share of problems but, at this time, she is doing very well.

My art will never be more important to me than family and so it has been on the back burner. There have been periods during the year where I've found myself with the time to pick up my brushes or pencils, but I just haven't been able to get excited about painting or drawing anything. Sure, I've tried, and there have been times when I've made a determined effort to get back into my art, back into blogging, and back into following what the rest of you are doing. But those times have been very short-lived.

Just before Christmas my aunt, during a brief pre-Christmas visit, saw the pencil portrait of my two dogs hanging on the wall of my lounge and asked if I'd drawn it. When I said I had she wasted no time in asking me if I'd do a similar drawing of her daughter-in-law's two dogs. Though she wanted to give the drawing as a Christmas gift, she wasn't concerned if it wasn't ready in time. With some trepidation, I agreed.

My cousin, a co-conspirator, sent me a number of reference photo's and I set to work just before Christmas, finishing the drawing around the New Year. On Sunday we all went out for a family meal and the drawing was handed over. The reaction was out of this world and I couldn't be more pleased with the way the portrait was received.

As I drew the dogs I felt myself buzzing .... enjoying every moment .... and thinking about what to draw next. Many times I've been asked if I have made any New Years resolutions and I always say "No", because I don't do that. However, something inside me is telling me that 2014 has finished and that 2015 is going to be a much better year. And so it is that as soon as the dog portrait was finished I put a clean sheet of paper on my drawing board and started the next one. It's my most ambitious yet ... I'm buzzing with excitement .... loving every minute of it .... and it's almost finished.

I think 2015 might bring me renewed enthusiasm for my art and I hope it brings you whatever you're wishing for too. 

Tess and Sally

Back in 2006 I attempted a double portrait of my 2 dogs. I had owned them at different times, first Sally thoughout the 70's and 80's (she died in 1987) and then Tess from 1987 through to 2003. Sally was a joyful Jack Russell and a lot of fun. She became very protective of my daughter when she was born in '78, so much so that one day, as we were walking through a local woodland, a large Red Setter came lumbering directly towards my daughter who was only toddling at that stage, and Sally sprinted in front of the Setter and threw herself bodily into the large dogs throat. The Setter turned and scurried away.

Tess was a troubled Collie/Whippet cross that we found at a rescue centre. Her heavily pregnant mother had been found abandoned in a ditch and close to death. The mother didn't survive but the rescue centre managed to save Tess and her 6 brothers and sisters before she died. Tess was a seriously traumatised animal who shook with fear whenever a man approached and who curled into a trembling ball at the sound of a chain. Some months after bringing her home we happened to bump into someone who had taken one of Tess's brothers and they reported the exact same traumatised behaviour. Though it took many patient years, Tess eventually put her fears behind her and developed the most gentle caring nature.

But back to the portrait. It was one of my earlier pencil pieces and I hadn't discovered the art of blending, or even proper shading. Still, I was very pleased with what I achieved as the portraits looked like the dogs in question and the framed picture has been hanging in my lounge ever since. However, just lately I've been looking at it and thinking it's really not that good ... or at least, I felt I should have done better. And in the end curiosity got the better of me and I just had to have another go at it.

One of the main objectives of my web site and this blog, is to encourage beginners to have a go, and to enjoy the art journey. And one of the things I always say to beginners is keep all of your work so that you can look back in the future and see how much progress you've made. For that reason I display BOTH of my portraits together. The differences are very noticeable and the message is very clear .... though we may not always feel as if we are making progress, as long as we're drawing or painting, progress IS being made.

Looking back at old work shows us how far we have come, but doing the same picture again is even more revealing .... and even more rewarding.

Tempus Fugit

... or, in other words, Time Flies. It certainly is doing for me. I looked at the number of posts I've made on my blog so far this year ... 7. We're halfway through the year and I've managed only 7 and I missed the month of April completely. I decided to throw together a quick post just so that I don't miss June as well.

This week, for the first time in a very long while, I actually found a few hours to do some painting. I had a go at this anemone which I found in the Reference Photo section of my forum. I used the layering technique I learned about a while ago but applied my own thinking to the method rather than follow 'instructions' rigidly. I felt much more comfortable doing it this way and I'm not disappointed with the result. I've still got a long way to go with it but I definitely felt I was understanding more.

On another matter, I've finally dragged myself kicking and squealing into the 21st century ... I've bought myself a tablet ... a Samsung Galaxy Note 8. There are many reasons why I preferred it to other tablets, one being it's built-in pressure sensitive digital pen. I've tried a few doodles and doubt I'll ever do any serious drawing with it, but it's great fun and I'm now on the lookout for the best drawing software to go with it. Don't be surprised if you see some digital doodles posted here from time to time. I'm also hoping my new tablet will help me get round your blogs more often as I'll be able to use it at times when I can't normally get to my PC.

Our local Art in the Park exhibition ended last week and I had to go and collection my "Fuchsia 'Winston Churchill'" painting. No, it did't sell, but I'm not disappointed. There was a time when I mistakenly thought that a person couldn't be classed as a proper artist if they didn't sell their work.  Since then I've come to realise that it's not how much we sell that makes us an artist but what is in our heart. We should be called 'heartists'. lol.


I had taken my camera with me to the park, as always, and on the way back from the exhibition I detoured to the lakes. An enjoyable half-hour with my camera resulted in scores of photo's to be scrutinised once back home and I'll close this post by sharing 3 or 4 of them with you.

Thank you for stopping by and I hope to get to YOUR blog very soon.

Snap happy !!!

Well, I warned you that I'd be posting some "Birds on the Lake" photo's soon, and here they are. Like everything else, if we want to be good at anything we have to practice. Nothing could be truer when it comes to using a DSLR properly. I have no desire to be a 'point and shoot' photographer so I switched off 'Auto' on day one of owning my new Nikon D5100. I already had a good understanding of exposures from using my bridge camera for the past several years, but a DSLR provides me with a wealth of new things to get to grips with and it can't be done just by looking at the manual. Hands on experience is the only way.

I have taken hundreds of photo's around my garden of all manner of irrelevant subjects just to give me something to point my camera at but one day last week I treated myself to a walk in the park. It was great fun - I was only there for an hour and during that time I took 266 photo's. Here is just a small selection.

  

  

As nice as it was to watch these birds and take photographs of them, I was even more delighted when a pair of Mute Swans moved in fairly close and one of them started 'displaying'. It looked so majestic, stately and regal.

The Swans were near enough for me to get some really close head-shots. I like this shot because of the water dripping from the beak but I can't profess to skilfully timing my moment. I was just lucky that this is a messy Swan that dribbles a lot. 

Later I found one of them enjoying a spot of preening in the shade of the tree-covered island and thought what a great watercolour painting the scene would make, especially with those reflections. White Swan and white reflections ... could this involve some interesting negative painting?

But not all of my shots were clear and sharp. I tried my hand at shooting (photographically) flying birds. I salute all those photographers who have posted on the net pin-sharp shots of birds in flight. This is something I've tried many times with the small birds in my garden, with little success, but I believe that if I keep trying I will one day get the hang of it. Either that or I'll buy a shotgun and find another way of shooting them. My efforts aren't complete rubbish as I managed to get a few shots where at least the bird was in the frame ... but hopefully I will eventually learn how to get them sharp.

And there was one hilarious moment when a handful of Gulls were about to share out a large slice of bread and a Black-Headed Gull swooped through and stole it from them. It was over in a flash and there wasn't time to worry too much about camera settings, but I did react quickly enough to at least record the event, as this sequence shows. The culprit was last seen disappearing into the distance with a gang of half-a-dozen furious ex-mates on his heels.

During my brief walk I took many photo's. Some carefully planned that turned out bad, and some hastily taken that turned out reasonable. I had some lucky shots, like the drips from the Swans beak and some unlucky ones, like the kissing Swans disturbed by a barking Alsation just as I was framing them, but every single click of the shutter brought pleasure, and that is what I went out to find. Do I have a favourite from that particular day? Yes .... this one.

I look at the work of competent photographers submitting their work to online photo sites and know that I have a very long way to go before I'm even close to being good but I have the same feelings when I look at my paintings and drawings. However, what I have learnt over time is that the pleasure of our hobby doesn't come from how good we are, it comes from the journey we are on. ;-)