Pen and wash ... again

I read recently that the best paper for Pen & Wash is Hot pressed, because of it's smoothness. I don't have any Hot pressed, but I was reliably informed that Bristol Board makes a good substitute, and that I do have. So I decided to do a painting on Bristol Board and chose this scene of Crail Harbour from a photograph taken by my good friend Ingrid Ormestad. I found it very interesting how the water stayed on the surface and was slow to soak into the paper, and I was able to draw much darker tones out of the ink than I usually do.

By way of comparison I then did this scene of New Road, Robin Hoods Bay using regular Cold pressed NOT. The darkest tones were harder to produce, but the water soaked in quicker making it easier to control.

Both were sketched using a Rotring Art Pen (nibbed) which I find a joy to work with, and the water was applied using Pentel Aquabrushes, which are as good in the studio as they are in the field. I found the drawing easier on the smooth Bristol, but the water application more controllable on the watercolour paper. I think I'll just have to get myself some Hot pressed paper and see how it compares. I'd like to think it will give me the best of both worlds. Watch this space!!!

I so enjoy this medium. I often think to myself that it's not 'real' painting and it doesn't produce 'hangable' work, but it's such fun ..... and surely that's what it's all about!!!

Plein aire sketching

For the first time in a long while I treated myself to a nice long walk. There is an interesting church in the next village. It is one of those buildings that catches my eye every time I drive past it, and each and every time I see it I tell myself that I must come back without the car to have a better look. So when I was thinking of where to walk, to the next village seemed like a good choice.

When I arrived at the church I spent a while sitting in the churchyard and strolling interestingly through the grave stones as I looked at the buildings architecture from every viewpoint. When I'd seen as much as I wanted to see I headed across the road and took up position leaning against a sandstone wall, which is typical for this area.

My previous attempts at painting en plein aire have not been good. I don't know whether it's the fear of being approached, or the lack of a comfortable chair and easel, but I always rush my paintings and splash paint around as if I've only got minutes to finish. So, on this occasion I decided to sketch the church with pen. Besides, I'm not painting at the moment and enjoying pen work, so I'd packed pens and aquabrushes into my backpack.

Unlike the 'panic' I feel when I'm painting, I felt quite comfortable leaning against the wall in the shade of an overgrowing tree. I soon became oblivious of the passing traffic, not that there's ever a great deal in the village, and carried on confidently sketching even when the occasional pedestrian ambled by. I found it awkward sketching while standing and wished I'd taken my small collapsible stool with me, but I managed okay and thoroughly enjoyed it.

It was a bright sunny day and I wanted to capture the shadows to give the church some solidity and dimension. In the first instance I tried hatching, but this is something I'm still not at ease with and I didn't like the effect. Thankfully my pen was of the non-permanent variety so I used my aquabrushes to add some tones. I have a couple of perspective issues but, all things considered, I'm not disappointed.

Oh ... yep ... the tower leans. I'm still working on those verticals. lol. ;-)

The joys of soluble ink

One of favourite mediums is Pen and soluble ink. Soluble (non-permanent) ink bleeds and runs when wet. It is useless (in my opinion) when used in conjunction with coloured washes .... but when used with plain water, the inky washes produced have a nice effect. Because I'm looking to find my comfort zone right now, it made sense to resort to a favourite way of sketching, so this is what I'll be doing for a while.

This first sketch is of Eilean Donan Castle in Scotland, one of the few places on my bucket list. I totally messed up quite soon into this sketch by placing one of the towers in the wrong place, but I decided to carry on since it was only for practice anyway. I also decided to try my hand at hatching .... something which I'm not very good at. I struggle to know which direction to hatch, and how heavily to hatch, but I'll get there. And I stupidly messed up the attempt to show some reflection on the water. I should have hatched horizontally, in wave-like short bursts. I'll do this one again properly sometime soon.

The second sketch is of the 17th Century Market Hall that stands in the centre of Chipping Cambden, a small market town in the Cotswolds. Built in 1627, this building is famous for it's particular type of roof structure. Having completed the pen sketch I then used a very wet brush of clean water and let the wash flow with the minimal interference and guidance from me. Great fun!! Oh, when I signed this one I dated it 05/13, which just goes to show where my head is right now. lol.

For my next task I need to do something about my verticals. My handwriting leans to the right and has done for the whole of my life and I wonder if this is why most of my verticals lean to the right. When I make a conscious effort to draw them correctly, they lean to the left. This can be seen very clearly in the Market Hall sketch. Any tips or tricks will be gratefully received. ;-)

Trial run!

During one of my plein air walks in early summer, I took a photograph of this fabulous house. I was taken by the manicured lawns, the perfectly planted flower beds and borders, and the structural framework of the surrounding trees, especially the large Copper Beech tree.

It has been quite a while since I last used my brushes and I felt the need for a bit of a practice before painting anything proper, and when I flicked through my library of reference photo's this one jumped out at me. As a 'refresher' practice piece I wasn't too fussy about lines and colours but I really like the way it's come out and wish I'd made a greater effort. So, I will be doing this one again and hopefully benefiting from the trial-run.

Size matters.

In my art forum we have a number of projects going on for us all to join in with. I haven't had a lot of time for my art over the past few weeks but found myself with the best part of an hour available so I looked at the challenges to see what I could do.

The result is this quick sketch of Robin Hoods Bay on the Yorkshire coast. I'm the first to admit that it's not the best drawing I've ever done.

HOWEVER ....

What I AM pleased about is that the topic I chose to do was "Small". This sketch is only 4cm x 3cm (approximately 1½" x 1"). I've never drawn so small before but found it much easier than I'd expected. Stating the obvious, keeping the pencil sharp was essential (understatement). Under normal circumstances we have to reduce our images to get them online but this time I've had to enlarge it. LOL.

I show the sketch here with some postage stamps just to put it into perspective.

This was a fabulous practice exercise and was great fun. I shall be doing more if these miniatures.

OAP on Board!!

Last Sunday was my 65th Birthday. Yippee .... I once again have a source of income. When I retired early last April I was unable to start collecting my retirement pension so I've been one of the countries 2.53million unemployed, and technically NOT a pensioner. Well now I am, and after 46 years continuous employment during which my longest absence was 2 weeks a few years ago following surgery on my shoulder, I am very proud of my long and conscientious work record. I've never ever taken a 'sickie' ... not one. Hey, you've all seen those car stickers that say "Child on board", well my daughter sent me one that says "OAP on board" ... I love it!!! She has a great sense of humour and also sent me a T-shirt with the words  "I don't want to .... I don't have to ... You can't make me ... I'm retired".

I had lots of great presents and as a special treat my wife booked us into a converted barn on a farm in the Cotswolds, near Broadway. Though I was away on holiday, I didn't spend a huge amount of time painting/drawing as we went out everyday to see places of interest, and when we arrived back at the 'barn' we were staying in, I used the time to catch up with a bit of reading and watching some DVD's I'd received as presents. Still, I did manage a little art, and I'd like to share it with you.

One of my presents was a small set of Faber-Castell PITT artist pens containing Sepia ink. I was keen to try them so sketched a collection of pots and containers sitting beneath one of the windows. Pen & Wash is one of my favourite mediums and I haven't held a brush for quite a while, so it felt really good once I'd finished the sketching and started to apply some colour. It really wouldn't have mattered how this one turned out as I was just enjoying the process to the max, but as it happens, it turned out quite well and I'm really, really happy with it.

On Monday we went to Tewkesbury. I had heard tell of "the hidden charms along narrow alleyways where the eaves of crooked timber buildings nearly touch". I had visions of streets like the famous "Shambles" in York. Disappointingly, the claims are either grossly exaggerated or we failed to find them. But we did find the famous Abbey only for it to start raining just as we pulled into the Car Park. As we sat in the car waiting for the rain to finish, which it didn't, I did this sketch in my Moleskine. The ex-accountant in me won't let me discard my Moleskine until it's full, but I may have to give in and toss it ... I really can't get on with it.

Tuesday found us visiting the nearby village of Broadway and the famous Broadway Tower that sits high on the surrounding hills. The tower is an odd shape having an hexagonal core flanked by 3 cylindrical towers (yeh, I know, I've only draw two - lol). I took lots of photo's from the top of the tower and was amazed to discover that, on a clear day, some 16 different counties can be seen over a distance of 62 miles. I started the sketch standing in the field at the tower but finished it later back at 'the barn'. I found the Moleskine resisted my every attempt to achieve a smooth graduation of tones and it was hard to get the graphite to take once a couple of good layers had been laid.

Another pressie was an Introductory set of 10 tubes of Windsor & Newton Designers Gouache and I'm waiting until I am able to have a long and uninterrupted session before opening them.

With some DIY tools, a set of Olympic stamps for my collection and a bottle of my favourite Talisker Whisky, I've been very well treated and consider myself very, very fortunate. What's more, I can now apply for my free bus pass. lol.

Robin Hoods Bay

Last year, when on holiday in Yorkshire, we were based just a couple of miles from Robin Hoods Bay, which is a quaint little fishing village built into the side of the cliffs. The first record of the village was in the 16th century and there is no evidence whatsoever to link the village with Robin Hood of Sherwood Forest. In the 18th century it was reportedly the busiest smuggling village on the coast of Yorkshire due to it's natural isolation. Wandering through the narrow alleys between the cottages conjured up a great sense of smugglers and hidden contraband. By the middle of the 19th century a thriving fishing industry existed.

King Street, Robin Hood's Bay - Graphite

We had to leave the car at the top of the cliffs and walk down the steep hill into the village.  I wandered through the narrow alleyways between the buildings, firing my camera almost continuously ... every turn revealed a new photo opportunity. One such alleyway brought me out at the top of King Street, just up from "Ye Dolphin" Inn. I couldn't figure out why the Inn sign had a painting of a galleon on it, rather than a Dolphin and I guess that will remain one of life's mysteries.

I chose Winsor & Newton Medium Surface Cartridge paper (130 gsm) because it has a strong grain when used with graphite and I thought that would help with the textures of the old buildings. It made it harder to get clean, sharp lines, but the tooth in the paper made the darks easier to achieve. I'm quite pleased with the effect as I think it really adds to the Olde Worlde scene.

Obviously I used artistic licence to omit various 21st century eye-sores such as Wheelie Bins, Television Aerials, roof lights and telephone cables. But one way in which 21st century did help was with one of the buildings which was badly obscured on my reference photo by a large "For Sale" sign. I was delighted to be able to use Google Street View to see what was there. lol.

Sandsend

Last year we were on holiday on the Yorkshire coast, near Whitby. One day we drove north along the coast road to Staithes, which is an artists paradise comprising twisting alleys amongst fisherman's cottages and a gorgeous small river estuary scattered with small fishing boats. It wasn't possible for me to sketch or paint so my camera turned hot taking scores of photo's. Eventually we found ourselves heading back to our holiday home but decided to pause at Sandsend, where the road turns inland briefly to cross a river before turning back to follow the coast. We enjoyed a short walk on the beach and sat to eat a sandwich mainly because that's the best thing to do with a sandwich. Standing with my back to the sea, I took a photo of where the road crossed the river expecting that I might paint it one day. Today is that day. ;-)

Jack of all trades …

My last several pieces have been in pencil and so I was keen to get back to watercolours. Apart from anything else, I have just treated myself to a new desk easel and 5 new Windsor & Newton Sceptre Gold brushes. But I am somewhat disappointed … not in the new brushes but my own ability.

Recently I found myself waiting for my wife as she attended a funeral and I couldn’t help but kill time (excuse the pun) by sketching the quaint little chapel. The sketch had to be done standing under the shelter of a tree as the wind brought in the beginnings of a shower. (That’s my excuse and I’m sticking to it).

Later, at home, I decided to paint the chapel in watercolours. Fortunately I had taken a couple of reference photo’s which I was very pleased about as my sketch really wasn’t good enough to work from. But the resulting painting was not good. Much too wishy-washy, flat and under-defined. I managed to ‘rescue’ it, to some extent, by using a pen which at least brought in some definition and lifted the flatness … a little.

Another day I decided to paint a Lily from a recent photograph I’d taken. I wanted to make an indistinct background so thought I’d do some wet-in-wet. That soon turned into a mess. I lifted the background off and then reapplied it once the paper was dry, but only managed to achieve the same muddy mess as previously. I considered returning my brushes as “not fit for purpose” but thought better of it. lol. These recent, but not uncommon, struggles with the medium are very frustrating and it has me wondering whether I would be better off concentrating on one medium. Many of my blogging friends seem to work regularly in the same style and medium whereas I am frequently switching back and forth … and that can’t help. You know what they say … “Jack of all trades, master of none”. Ok … so I’m making excuses … I’m off to create a masterpiece … in my dreams. LOL.

Confidence?

Though some of my blogger friends are very confident about their art and themselves as artists, I know that there are many, me included, who are less confident. I also see a serious lack of confidence in the beginners and less experienced artists who join my art forum. Sometimes I try and find some words of wisdom that might help them be more confident in their work and I am continually trying to find ways of boosting my own confidence levels. (Yeh, I know ... I should practice what I preach).

One thing that has driven itself home to me recently is that you, my blogger friends, always seem to like my work much more than I do, and I have been giving this a great deal of thought. I've concluded that this is simply because you don't know what I was trying to achieve - what mood I'd wanted to create; what small detail isn't as accurate as I'd have liked; what colour has dried darker than I'd intended; what 'rescues' I performed during the painting process; etc, etc. You look at my work and see it as you find it, with no preconceived notions or expectations. I look at my work and compare it pixel by pixel (figuratively speaking) to the image that I held in my minds eye before I reached for my brushes. It seldom measures up.

So I now offer a new definition of the word 'confidence' ....

Confidence: the ability to see your work as others see it.


Changing the subject completely, which I can do because it's my blog, a while ago I decided to make my own Xmas cards this year. I even said so here on my blog ... like an idiot!!!

 I thought about it all through September and most of October and actually made a start around the end of October just before the auditors arrived. Remember them?

Anyway, during the time of the audit I was distracted from really important matters, like art, and my Christmas cards got put on the back burner ... again. So yet again this year, I rush headlong into the festive season with a long list of uncompleted good intentions.

As you know, I've been developing a growing passion for pen work and, just as an experiment, I wanted to see how effectively I could sketch a snow scene using black ink on white paper. I had just finished a watercolour of a 'made up' scene for a possible Xmas card, so tried it again in pen. Both are posted here. Initially I wasn't at all pleased with either version but coming back to them many weeks later I am seeing them through fresh eyes. I'm much happier with both of them but I have to say I was really very pleased with the pen version. I refer to my comments above about 'confidence'.

I'd like to offer both as cyber Christmas Cards to all my blogger friends, old and new. Throughout my blogging experience you've been a constant source of inspiration and encouragement and not once have you said "John, that's crap!!!"  I wish you the most wonderful Christmas ever and I hope good old Santa brings you plenty by way of new Art supplies.
Merry Christmas.

A tight fight!

My natural style is best described as 'tight' and the long-term followers amongst you may remember that from time to time I try to do something to help me loosen up. I will try quick ink and wash sketches and sketches against the clock, for example.

Eilean Donan Castle

This Sepia Ink pen and wash sketch is a very good example of one problem I struggle to deal with. Many of my verticals lean to the right. Now it happens that my natural handwriting also leans to the right, very much so. I have always written in an 'italic' style with a very pronounced lean. When I am sketching with gay abandon (as gay and abandoned as I ever get), that sloping tendency shows through into my drawing. I know I can do something about it when I try to, but by concentrating on getting the verticals upright, my work becomes tight(er) again. I guess I just need more practice ... either that or a block under one side of my chair. LOL.

So, have you noticed the "Making art fun" picture in the top right corner. It's just a little thing we do in my forum and I'm really pleased I managed to figure out how to have it automatically updating here. My 'square' is the second from the right on the top row.

Back from holiday

Scarborough - South Bay

First of all, I must apologise to all you bloggers I follow regularly for not keeping up with your posts. I have been away on holiday and although I had some limited internet capability with me, there was not enough online time to get round the blogs. Anyway, I'm back now and I'll be catching up just as quickly as I can.

It had been my intention to do lots of drawing and painting especially to push myself to do some more plein aire work. Regrettably, it was so damp and windy that sitting outside for any length of time was not enjoyable. However, needs must, and although I didn't do any plein aire painting, I did manage a few quick sketches. The one of Scarborough was sketched looking through the rain splattered windscreen of my car as we sat on the harbour wall beside the Fishery.

I spent the week near Robin Hoods Bay on the edge of the North Yorkshire Moors. As a 'towney' wanting to appreciate the countryside, I decided to stay on a working farm for the week would be a relaxing experience. That said, there were no animals and I don't know what the buildings and machinery were all about but it looked more like a factory than a farm.

One of the things I'd looked forward to was a trip on the old steam railway. When the day came, it was a disaster. Having parked the car I went to buy the tickets and was very disappointed to be told that the steam engine had broken down so the train was being pulled by a Diesel. That's just NOT the same. Still, I couldn't do the trip on another day so decided to do the trip regardless. After a short wait we were finally in the carriage and pulling out of the station.

I was looking forward to seeing the best of the moors from the train and had my camera ready but the worsening rain and reducing visibility were making photo's less likely. Suddenly the train screeched to a halt and the guard ran through the carriage looking most concerned. Long story short, the engine had broken down in the middle of nowhere and we had to wait over an hour for another engine to come and tow us on to the next station. That was actually good news as I was already having visions of us all walking along the railway track to the nearest station. Thankfully I had my sketchpad with me and used the time to attempt a drawing of my camera. Eventually we were pulled to a station where we were told no more trains would be running and a bus would take us back to where we started. Cold, damp and disappointed we arrived back at our starting point several hours later.

Robin Hoods Bay

The highlight of the week was a visit to Robin Hoods Bay itself. The village is built into the cliff face and is a maze of narrow winding alleyway's between the quaint old smugglers cottages. It was fascinating to see how one persons roof was on the same level as another persons garden. An artists paradise as every step I took revealed an ancient doorway, steps worn by centuries of use, crooked windows and cottages built to abnormal shapes in order to fit them in, like 3-dimensional jigsaw pieces. Had I been on my own I would have loved to have sat and sketched all day long but as it was I contented myself with taking scores of photo's. I didn't manage to get as much drawing done as I'd hoped during the week but I have enough reference material to last me a very long time. Can't wait to get started. ;-)

Another sketch.

As is so often the case, yet again I have found myself without time for any serious drawing or painting. I am not one of those loose painters who can quickly splash some paint onto the paper and create a masterpiece. I so envy artists who can do that. To produce anything even half decent I have to mark out some pencil guidelines first, and then the painting itself takes me ages. And when I am drawing, everything takes so long, especially if it's a tricky subject and I decide to do a grid. I know from the feedback I get in my art forum that I am not alone.

Lindisfarne - Water Soluble Pen - A5

Rather than not do any drawing when time is short, I am pushing myself to sketch. A sketch can be very quick and doesn't require the fiddly precision of a proper drawing. In addition, there is nothing better for building confidence than going straight onto the paper with a pen. When sketching with pencil I can't help but reach for the eraser when I make the smallest slip, yet when working with pen, that is not an option.

A sketch doesn't have to be 'good' to be a worthwhile exercise. Take this sketch of Lindisfarne (Holy Island). Although not a great picture it was superb practice at interpreting perspectives, judging proportions and recording the shapes of the buildings. The pen required a confident approach and by using water soluble ink and a wet brush, it also forced me to study the tones in the scene. The picture took just a little over 15 minutes to do and, best of all, it was FUN!!!

Lost my virginity ...

... or in other words, I've finally had my first plein air experience.

I promised myself that the next opportunity I had, I would try and be courageous and attempt something plein air. I have been inspired entirely by my blogger friends. I have long been a fan of Keith Tilley and thoroughly enjoy his exploits into the wild and rugged Scottish hinterland where he lives. The first urges to try it myself came from Sandra Busby's account of her day with Sue Pownall and I can imagine how wonderful that must have been. More recently, Michael Bailey's quick sketches have inspired me to finally make the effort. There are others whose blogs have contributed to the many small 'kicks' that have ultimately led to me losing my virginity.

Sketch 1 - Beach Gardens

My wife and I have just spent a couple of days on the east coast and the opportunity to embarrass myself in front of scores of strangers finally presented itself. Before I say any more I must say that ALL of the sketches I produced are poor. They were very hastily and nervously scratched out but for me the pleasure, satisfaction and sense of achievement comes NOT from the quality of the sketches, but from the challenge of drawing in public and the barriers I succeeded in breaking down. I am not a confident person and I have a low opinion of my art, so to attempt something in public was a double challenge.

Sketch 2 - Southwold Pier

While doing the first sketch of the Beach Garden at our holiday resort, two ladies who had been sitting nearby, passed behind me and one of them said "Wow, did you just draw that?". We exchanged a few brief pleasantries and they went on their way. Though they couldn't see much since I was using a small A5 pad, it was nice of them to comment and made my first experience a pleasant one.

The second sketch was done sitting on a cliff top bench high above Southwold pier. The bench was on the public pathway and scores of people were passing by. None of them spoke and I kept my head down, but I was aware of the passing eyes.

Sketch 3 - Beach Gardens

The third effort was a more serious attempt at producing a worthwhile picture, though it had to be done standing up, which I found particularly difficult. Again I used pen but this time on an A4 pad. I had my watercolour pencils with me so I was able to add some colour which I then touched up with my Aquabrushes.

My final effort was a very quick doodle of the view in front of me as we stopped beside a lake for a quick snack.

Sketch 4 - Lakeside picnic

As I've previously stated, I'm under no illusion as to how poor these are from an art perspective, but this exercise was never about the art. Whether or not I ever reach the stage of attempting a proper watercolour painting plein air remains to be seen, but I will certainly be making a bigger effort to carry a pen and sketch pad with me when I go out and about. To all my blogger friends who have inspired me, thank you. ;-)

The church with the door

All Saints Church, Earls Barton, Northampton

Well here is the finished version with the washes added. In reality the area to the left of the church is a combination of dark trees, brick walls and rooftops. It looks very unattractive. This is where my 'need' to put in every detail as best I can often lets me down. On this occasion I've made up an alternative view in order to make a better 'painting'. I had considered not including anything there at all but then realised I needed somewhere for the sky to stop.

The church with the door

All Saints, Earls Barton, Northampton

I recently posted a painting of a door situated halfway up the side of a church tower and doing the painting caused me to think it would be nice to paint the whole church. On this occasion I fancied doing a Pen & Wash and I decided I'd like the pen work to be complete enough for the drawing to stand in it's own right, before the addition of colour. I think I've accomplished that, though I do keep getting the urge to add another pen mark here and there. One of the things I can't really capture properly are the different architectures. The lower section of the church is made of stone blocks, the upper section of bricks, and the tower itself is rendered. Hopefully the different colours will help in the final painting.

Door without purpose.

In the nearby village of Earls Barton is a very nice church, and it is the sort of thing I like to take Photo's of. Recently, while looking at some photo's, I noticed what looked like a door halfway up the tower close to the clock. I wondered if it was there to provide access to the clock, but that made no sense. Then I thought that maybe it wasn't a door but a shuttered window of sorts ... but it looks like a door. Intrigued, I made some enquiries and what I discovered is quite interesting.

This church is famous for its mixture of architectures dating back to c970 a.d. Apparently, it started life as nothing more than a keep (tower) and it was used as a place of refuge by local peasants to escape marauding bands of Vikings who sailed down the River Nene. At times of danger, the locals would climb a ladder to the keep and then pull the ladder up behind them. There was a small church close to the tower and many successive modifications to the church eventually brought the two buildings together. At one time, the local priest was known to give his sermons from the doorway to his congregation below. Architecture from every century from the tenth onwards is represented in the fabric of the church.

I understand that the door we can see today is the original door and now I know why it's there it no longer seems so pointless. Any one who likes to look at old buildings, especially churches, should put this one on their 'must see' list.

Cotswold Chimney

As I explained in my last post, a couple of years ago I saw this chimney and it appealed greatly as a watercolour subject. Well, I've finally managed to paint it and it's proven to be an anti-climax. I imagine we're all the same with regards to getting satisfaction from our work - some pieces please us, and others we're not so sure about. For me, this is one of the others. I don't know why it is, but I didn't get an inordinate degree of pleasure from doing this one and I'm not very satisfied with the result. Could it be that the enjoyment of doing a piece has a bearing on how satisfying it is? It is quite remarkable to me that I found more satisfaction  from doing the 20-minute pen sketch, than this 3/4 hour painting. Oh well, 'tis done now ... onward and upward. ;-)

Love these quickie's

A couple of years ago I was in Chipping Cambden in the Cotswolds waiting for my wife and friend who had popped into a shop. Looking up I was taken by an interesting chimney stack and roof arrangement and just had to take a photo with a view to painting it one day. I still will, but I just came across it and decided it would be a great exercise with the pen. With the interesting perspective and many angles, to attack it without pencil guidelines was a great confidence booster. Taking just 20 minutes tops, it represents another satisfying 'quickie'.

Scratching the itch.

I had that desperate urge to throw out a painting but no time to dip my brushes in water. I scratched my itch with a very quick sketch using my favourite medium, non-permanent ink and a wet brush. My 'instrument of choice' is an Aquabrush. Since these contain their own water they are perfect for taking out into the field. I find these quick ink sketches to be excellent exercises ... not only do they help practice our drawing skills but they're great at building confidence. When you're sketching with a pen you have to just go for it!!!