What are the chances?

Unbelievable? I would have thought so had I not seen it with my own eyes. This photograph is not contrived in any way. I was clearing fallen leaves in my garden yesterday when I spotted this one 'skewered' onto a spikey leaf on my Cordyline Australis. I can't imagine the odds of a leaf falling in just the right way for this to happen. Just had to share.

Barn in a field

For my birthday last month my wife bought me a book by James Fletcher-Watson. I love his work but sadly his books are no longer in print. However, my wife managed to get me a good condition second hand book off the 'net, so I'm in heaven.

I've only read a few pages of the book so far, but this very quick painting of a barn in a field was copied from his book to give me a feel for how this great artist approached his work. Mine is nothing like his (lol) but I know I'm going to learn a great deal from him.

Second attempt

Well here is my second attempt at drawing the white German Shepherd. This time I decided on a head and shoulders portrait as there are more tones around her ears and muzzle. I was desperate not to have to shade in a dark background in order to make her look white and I think I've achieved that to some extent, though there are some parts of her that I'm less pleased with. She's a very 'fluffy' dog and I found it difficult trying to capture the softness of her fur.

I again used Bristol Board and I have mixed views of it. It is heavy and very smooth, which makes it tollerant of the eraser, but it lacks 'tooth' which results in very pale tones. The jury is still out as far as I'm concerned and I'll reserve judgement until I've used it some more. The light tones could just be me trying hard to keep the subject white.

PS - I've just visited Crystal's site and looked at her Labrador on Bristol Board. Can't fault the medium there - it's wonderful.

One that went wrong

Both my blog and my web site are aimed at beginners. Not because I think I can teach anyone anything when it comes to art, but because most beginners need a lot of encouragement. Beginners get things wrong and that can be soul destroying. I suspect many beginners have given up before they've even started, just because that first effort turned out poorly and they decided they weren't capable. I like to show beginners that it's ok for things to go haywire and that no picture is a bad picture, as long as we learn from it.

In that vein, here's one that went badly wrong. It is a graphite drawing of a white German Shepherd and so I decided a grey background was necessary to help the subject stand out on the paper. I decided to use Bristol Board for the first time. I'm not the bad workman blaming his tools and I make no excuse for the quality of the drawing, but for some reason I did have a lot of trouble shading the background and I just couldn't achieve the smooth, even tone that I was trying for. All of my horizontal pencil lines were clearly visible, so I decided to go over again with vertical strokes. These were also visible so I went over again with diagonals. The more I did, the worse it became, and in the end looked like the scribbled mess that 4-year olds produce (with apologies to 4-year old's).

Having decided the picture was ruined I consoled myself with a 15-year old malt. I pondered on my drawing and decided that rather than discard it I would think about how it might be salvaged in some way. Rubbing out the background didn't work as I couldn't get a clean enough canvas, so I decided to add 'scribble' on top of 'scribble' to create the impression of field and trees.

The end result is still awful, but it is better than it was. It's not good enough to give to the dog's owner so I shall start over and try and get it right next time. I learned as much about drawing, pencils and Bristol Board during the rescue process as I did before it all went pear-shaped. So my message to beginners is don't be afraid to attempt a 'rescue' when things go wrong; even if it can't be salvaged, find a way of finishing it off that adds to your drawing/painting experience; and don't be ashamed to show your effort to others, nor afraid of the feedback that may come as a result.

Now it's back to the drawing board to start over ... although I may attempt a head & shoulders portrait this time.

Sun setting in the Lakes

This painting is taken from a photograph I took in the Lake District a couple of years ago. It was autumn and we'd been for a drive through the lanes and passes that weave around the hills and mountains. Towards the end of the afternoon, just as the light was beginning to fade, I rounded a corner to see the most spectacular of views. Most of the landscape was in near silhouette and the sun was hidden behind a cloud, but it had powerful beams of light shining down on Buttermere Lake creating a breathtaking vision. Luckily I saw somewhere to pull over and jumped from my car with camera in hand. The water was still, there was no breeze, there was no sound. I took my photo and within minutes the vision had gone.

Trees, rushing water and an apology.

Firstly, to my fellow bloggers, an apology. I haven't had a great amount of free time of late and that hasn't only impacted on my time for painting and drawing, but has seriously affected my ability to get round all the blogs I like to follow. I have selfishly found a few moments here and there to post an old picture or two to my blog, just to try and keep things 'ticking over', but not the time for reading other blogs as much as I would like.

Thankfully that is changing now. I managed to get away for a nice break last week and my ever-tollerant wife (bless her heart) made sure I had plenty of time for my art. Though I could have painted all week long, I tried not to take too much advantage of her thoughfulness, but I did manage a few hours every day, hence the recent postings of the Coal Mine and Sherwood Forest.

Here is another watercolour I did last week. I confess to 'fiddling' with this one a lot as I just couldn't get the trees right - I'm just no good at trees. The subject is called "The Strid" and it is where the normally calm flowing River Whare in Yorkshire funnels through a narrow channel carved in the rocks.
 
My other big passion is photography and I took plenty of photo's on holiday, especially when we visited the zoo, so don't be surprised to see a few animal photo's posted in the near future.

Coal Mine - take 2

I enjoyed doing the pen & wash of the Coal Mine so much that I was just bursting to do it again. I've always been a huge fan of water-soluble ink. I enjoy the challenge of sketching with pen, which is so unforgiving, and I get a buzz when I take a brush full of clean water and make that ink run. I decided the soluble ink medium would be just right for this scene and I have to say that I like the result more than the coloured version.

Coal Mine

When in Yorkshire a couple of years ago I visited the National Coal Mining Museum. It was a fabulous day out and I can highly recommend it if you're in the area. As usual, I wandered around with my camera glued to the front of my face and took the usual scores of photo's. In particular I was looking for a scene that adequately summed up the colliery and that would make a nice painting. Of all the photo's I took AT the mine, the view I like the best is this one taken just after we'd left.

Sherwood Forest

To celebrate her 60th birthday, I recently took my wife away to a luxury hotel in Sherwood Forest. To share her weekend, and to make it even more special, my daughter and son-in-law were able to join us. Obviously we had to visit the Great Oak where Robin Hood and his merry men were reputed to hide, and though we'd had a wet start to the day, the sun came out for us just at the right time. We took an unhurried stroll through the forest on the way to the Oak, and the view I had of my daughter and husband walking arm-in-arm just had to be the subject of a painting.

Canal Cottages

I haven't had a lot of time for art just lately and I'm itching to get some quality time to get started on that dog portrait. Actually, quality time to get started on anything would be good. In the meantime, here's a small sketch using one of my favourite mediums (media? ). This was made with water soluble pen and a wet brush. The brush was one of those "aquabrush" refillable brushes - perfect for use outdoors. One mistake I may have made is with that door on the right hand side. It is so crooked that it grabs the eye and looks all wrong. The door really is like that, but this may be one of those times when artistic licence should have been used to make it more regular and therefore less obvious. We live and learn. ;-)