The best of 2011

As the year draws to a close I find myself reflecting back on my art journey over the course of 2011. There have been those successes I have been very pleased with and proud of, and there have been those that I have not been pleased with but have learned a lot from. That's one of the nice things with art ... even when we mess up we learn something, so it's a win-win situation most of the time.

Reflecting on my highlights I have pulled out a few pictures I'd like to share with you again. Firstly, the one and only painting I've sold in exhibition ... "The Steelworker". I got into a real mess with this one because I cleverly decided to try candle wax to create the water on the furnace floor. It was a huge mistake so I tried to overpaint it. That's not easy with watercolour. Anyway, long story short, I wrestled with the wax and created mud on top of mud on top of mud. I became as close as I've ever come to not finishing a painting, but in the end I got there.

2011 was also the year I attempted my first ever portrait. This graphite drawing of Johnny Depp as Captain Jack Sparrow was a major "dip the toe in the water" exercise. I didn't have proper blenders or tortillons and didn't really appreciate how they would be used, so I managed with some tightly rolled up kitchen paper. It was a learning curve of huge proportions.

This 'discovery' of being able to do realistic drawings in graphite led me on to trying various other subjects and one of my favourites of those is this Leopard, which I stupidly thought was a Cheetah. Duh! Still, whatever it was didn't detract from the enjoyment of gradually watching him come together, spot by spot.

I have always enjoyed drawing with Pen but haven't done any for a long while and these pencil drawings led me back to pen work, but at a new level. I experimented with cross hatching which I'd never tried before and confess to having a long way to go before I'm pleased with what I'm doing, but this drawing of Robin Hoods Bay didn't disappoint me.

But I felt that all of this very tight work was having a negative effect on my watercolouring (if that's possible - lol). So I tried my hand at sketching. I find it difficult to just 'let go' and let whatever happens, happen. But the more loose, free and easy, hurried sketching I did with my pens, the more I felt at one with the paper. Pen sketching and loose watercolours all came together for me in this very simple painting of the river at Staithes. A totally alien style for me, but one which I thoroughly enjoyed.

One of my 2011 highlights was to receive a request from a young couple who are getting married in April at Edinburgh Castle. They wanted to know if they could use my pen sketch on their Wedding Invitations. It is small moments like this that make you feel your work is appreciated for what it is, and that's important for us all.


I can sum up 2011 for me by saying it has been a milestone year. I conquered personal fears by stepping out and sketching in public and I've tried several different techniques and media. I have had the disappointments that have taught me lessons and the successes that have helped my confidence. Most of all, I have enjoyed sharing my journey with all of you, just as I have enjoyed following your own journey's. You are all an inspiration to me.

My goals for 2012? To consolidate on what I've accomplished in 2011 by trying to bring my new found confidence into my watercolour painting, to improve further with my graphite and pen work, and to try some serious work with Charcoal and Pastels. Most of all I intend to get out and about with my sketch book culminating in some watercolour painting en plein air. That is an ultimate goal.

Thank you for your support during 2011 and I wish you all the very best for 2012.
Happy New Year!!!

Confidence?

Though some of my blogger friends are very confident about their art and themselves as artists, I know that there are many, me included, who are less confident. I also see a serious lack of confidence in the beginners and less experienced artists who join my art forum. Sometimes I try and find some words of wisdom that might help them be more confident in their work and I am continually trying to find ways of boosting my own confidence levels. (Yeh, I know ... I should practice what I preach).

One thing that has driven itself home to me recently is that you, my blogger friends, always seem to like my work much more than I do, and I have been giving this a great deal of thought. I've concluded that this is simply because you don't know what I was trying to achieve - what mood I'd wanted to create; what small detail isn't as accurate as I'd have liked; what colour has dried darker than I'd intended; what 'rescues' I performed during the painting process; etc, etc. You look at my work and see it as you find it, with no preconceived notions or expectations. I look at my work and compare it pixel by pixel (figuratively speaking) to the image that I held in my minds eye before I reached for my brushes. It seldom measures up.

So I now offer a new definition of the word 'confidence' ....

Confidence: the ability to see your work as others see it.


Changing the subject completely, which I can do because it's my blog, a while ago I decided to make my own Xmas cards this year. I even said so here on my blog ... like an idiot!!!

 I thought about it all through September and most of October and actually made a start around the end of October just before the auditors arrived. Remember them?

Anyway, during the time of the audit I was distracted from really important matters, like art, and my Christmas cards got put on the back burner ... again. So yet again this year, I rush headlong into the festive season with a long list of uncompleted good intentions.

As you know, I've been developing a growing passion for pen work and, just as an experiment, I wanted to see how effectively I could sketch a snow scene using black ink on white paper. I had just finished a watercolour of a 'made up' scene for a possible Xmas card, so tried it again in pen. Both are posted here. Initially I wasn't at all pleased with either version but coming back to them many weeks later I am seeing them through fresh eyes. I'm much happier with both of them but I have to say I was really very pleased with the pen version. I refer to my comments above about 'confidence'.

I'd like to offer both as cyber Christmas Cards to all my blogger friends, old and new. Throughout my blogging experience you've been a constant source of inspiration and encouragement and not once have you said "John, that's crap!!!"  I wish you the most wonderful Christmas ever and I hope good old Santa brings you plenty by way of new Art supplies.
Merry Christmas.

Perfect remedy

I'm told it happens to us all, but just lately I've been feeling quite low about my art, especially my painting. On top of that, my watercolours aren't coming out too well as I seem to make mud with every brush stroke and a busy period at work is leaving me too mentally drained to want to concentrate on a detailed pen or pencil drawing. I feel myself getting more and more discontent ....

.... so I had some fun!!!

Hat Shop - Robin Hoods Bay

I knocked out a quick pen sketch of this fabulous little Ladies Hat & Bag shop in Robin Hood Bay (I was quite fascinated by the way the window had been shaped to fit in between the two flights of stone steps). After sketching I applied a watery ink wash. This is the first time I've tried washing with ink and it didn't behave quite as I'd expected, although I'm not quite sure what I expected. lol. I found quite small changes to the ink/water ratio made quite noticeable changes to the tone of the wash, hence the darker-than-I wanted steps. Though I hope to do better next time, I really like the effect and will be doing a lot more of these. I've also decided I must get some Sepia ink ... that could be even more fun.

Boats at Staithes

After that I remembered some advice I'd been given about sketching against the clock to help loosen up, so I decided to have a go at that. I allowed myself no more than 2-minutes for the sketch and 8-minutes to apply the paint. I was amazed how quickly the clock ticked as there was barely no time to think about what colours to use. Compared to my usual 'tight' style, this was definitely a case of splashing it about!!. The subject is the small tidal estuary at Staithes in Yorkshire.

These may not be great art but they've certainly put the spring back in my step. Ah, that's better.  ;-)

Lindisfarne

The Holy Island of Lindisfarne is one place I've always wanted to visit. It is too far North for me to do it in a day trip so I need to take advantage of being in that area. Despite a holiday many years ago in the North Yorkshire Moors and another some time later in the Durham region, both within and hour or two of the Island, I haven't managed to get there. The nearest I managed was in 2007 as we were travelling back from a weeks holiday in Scotland. We passed within 20-30 minutes of Lindisfarne, but there wasn't enough time to make a worthwhile detour. So the island remains one of those places I just long to visit.

The Holy Island of Lindisfarne

Lindisfarne Castle sits on top of a volcanic mound known as Beblowe Craig. The castle was built in the 1550's following the dissolution of the monastries by Henry VIII, in defence of the realm against attack by Scotland and in pursuit of their Spanish allies. The island is reached via a tidal causeway that is completely submerged when the tide comes in. I think the boyish sense of adventure of being in the castle when the tide comes in, totally cut off from the mainland, is one of the attractions for me.

Ingrid provided a photograph of the castle for my Art Forum's latest Painting Project, and this is my effort. It's been a while since I last had time for a painting and I thoroughly enjoyed this one.

Door without purpose.

In the nearby village of Earls Barton is a very nice church, and it is the sort of thing I like to take Photo's of. Recently, while looking at some photo's, I noticed what looked like a door halfway up the tower close to the clock. I wondered if it was there to provide access to the clock, but that made no sense. Then I thought that maybe it wasn't a door but a shuttered window of sorts ... but it looks like a door. Intrigued, I made some enquiries and what I discovered is quite interesting.

This church is famous for its mixture of architectures dating back to c970 a.d. Apparently, it started life as nothing more than a keep (tower) and it was used as a place of refuge by local peasants to escape marauding bands of Vikings who sailed down the River Nene. At times of danger, the locals would climb a ladder to the keep and then pull the ladder up behind them. There was a small church close to the tower and many successive modifications to the church eventually brought the two buildings together. At one time, the local priest was known to give his sermons from the doorway to his congregation below. Architecture from every century from the tenth onwards is represented in the fabric of the church.

I understand that the door we can see today is the original door and now I know why it's there it no longer seems so pointless. Any one who likes to look at old buildings, especially churches, should put this one on their 'must see' list.

Cotswold Chimney

As I explained in my last post, a couple of years ago I saw this chimney and it appealed greatly as a watercolour subject. Well, I've finally managed to paint it and it's proven to be an anti-climax. I imagine we're all the same with regards to getting satisfaction from our work - some pieces please us, and others we're not so sure about. For me, this is one of the others. I don't know why it is, but I didn't get an inordinate degree of pleasure from doing this one and I'm not very satisfied with the result. Could it be that the enjoyment of doing a piece has a bearing on how satisfying it is? It is quite remarkable to me that I found more satisfaction  from doing the 20-minute pen sketch, than this 3/4 hour painting. Oh well, 'tis done now ... onward and upward. ;-)

First Sale

I'm just back from visiting our local "Art in the Park" exhibition in which I entered my "Steel Worker" painting. Guess what? It has sold!!!
This is a first for me and I have mixed feelings over it. I thought I'd feel hugely excited but I don't. I'm very pleased that someone liked it enough to pay real  money for it but I am going to miss having it hang on my wall. Still, I had a count up and there are 70 paintings in the exhibition, of which only 14 have sold, and I find that very flattering, especially since we are only 2 weeks into a 6 week run. It's a big confidence booster that's for sure. I must make a bigger effort to track down some other exhibitions. ;-)

Glencoe

It seems like an age since I last did some drawing or painting, but a few days ago I had the opportunity to tackle a quick picture. Knowing how I get more and more embroiled in detail once I start messing with my pencils, I decided a quick excursion with my brushes would be more in order. I decided to have a go at this view of Glencoe in Scotland.

Discussing the location with my Scottish friend uncovered an interesting issue with the name. I had looked up some things online and found that the village of Glencoe was referred to as Glencoe, but the area of Glencoe was actually referred to as Glen Coe. Well, when I called it Glen Coe I almost got smacked. Thank goodness you can't send 'physical contact' by email. Anyway, I did some more checking and found sites like Wikipedia and organisations like Ordnance Survey using Glen Coe, but others like the Scottish Tourist Board using Glencoe. But as far as I'm concerned, if my friend says it's Glencoe, then it's Glencoe.

The painting is a very long way from being one of my best, or even good, but you know what .... it doesn't matter. I splashed on the paint, and even managed to get some on the paper, and had a thoroughly enjoyable hour or two. Whilst it's always nice to get a good result, the true enjoyment comes from the doing.

Miniature

In some ways I'm disappointed with this latest painting as it's a bit too 'rough and ready'. On the other hand, I'm quite pleased with the overall effect as it is only 3" x 2" in size. I don't know if there is a generally recognised size that defines 'miniature' but if this doesn't qualify, it's certainly very small.

I found working with watercolour quite interesting at this scale as there just isn't the same scope for running out the water. It was all to easy to just deposit a drop of paint on the paper and find it bound by its own surface tension. Working drier than normal seemed to be the best way.

The other problem I had was actually seeing what I was doing. I have to take my glasses off to see things very close up but I was copying this painting from a reference photo on my computer. I can't see my computer monitor very well without my glasses and I couldn't see my painting properly with them. So most of the time I had a brush in my right hand and my specs in the left.

It was another of those things I wanted to try, and I enjoyed doing it. Might have a go at something smaller next.

Hillside Cottage

It began with my "Steelworker" painting. I had used kitchen roll for lifting off mistakes, but not as part of the 'creation' process. I decided then that I wanted to do more by way of experimenting with 'lifting off' in a constructive way and I eventually tackled the foggy scene in "Boat on Bala Lake". This latest painting, "Hillside Cottage", has been done solely as a means of trying to paint hills whose tops are bathed in low cloud. It's not my finest painting and the cloud effect could be much better, but it was an interesting task nonetheless. I'd be very happy to hear from anyone as to how you tackle cloud over hilltops.

Boat on Bala Lake - 2

I wasn't disappointed with my first attempt at "Boat on Bala", but as all my artist friends well know, sometimes we just wish we'd tried something a different way ... a slightly different colour, a small difference in composition, a different technique. That is how I feel about the first painting. My attempts to create a 'foggy' scene were only partially successful and were not helped by how bold I had painted the boat.

So, I've had another go, this time applying the 'fog' in a different way and at a different time. Though I'm still not completely satisfied with all aspects of the painting, I am happier with the 'fogginess' (if there is such a word), and  experimenting with painting 'fog' was the sole reason for having a go at this one in the first place.

Boat on Bala Lake

I saw this lone boat at anchor on Bala Lake, North Wales. It was a very frosty winters afternoon and the sun was trying to break through the fog. The solitude of the boat was emphasised by the quietness of the surroundings, the stillness of the water and the eeriness of the freezing fog.

Then and Now

When I built my first web site 12/13 years ago, it never occurred to me that one day I myself would appreciate looking back at it. I was so thrilled at having discovered a new skill (though I use the word loosely) in my fifties that I started my 'website for beginners' with the aim of encouraging others to have-a-go. I hoped to pick up feedback and comments that would help me progress, but spreading the word that we can ALL paint was the main goal. But now my website has paid me back in a way I'd never expected. It has served the purpose of a first class chronology of my development (again, using the word loosely - LOL). For years, artists who have tried to help me have been nagging me about tonal values. "Push the darks" one would frequently tell me - "Push the darks". Would I listen? Yes, every time. Did I push in those darks? Nope. For some reason, probably confidence, I've just not been able to get 'heavy' with the tones.

More recently, as my confidence has improved, I've started laying in those dark colours but hadn't really noticed ... until now. The other day I was dealing with an issue on my website and it caused me to look back at one of my older pages. I was shocked as to how pale and insipid my art was back then. I currently have 6 pages of watercolours and stepping through them in order, it is only when I get to the last page that my work has any degree of contrast and tone. The difference in my work between pages 5 and 6 is very noticeable.

I know we can keep our paintings and arrange them chronologically, but how many of us do? Many of us have blogs, but how many of us look back at our early posts and compare those paintings to our present ones. However you store or record you paintings, have a look back at how you were painting several years ago. Will you notice a difference? I think most of you will.

Due to a full time job, a shortage of time for hobbies and a significant lack of talent, my development has been very, very slow. But seeing older work alongside newer work proves beyond question that development, as slow as it has been, has nevertheless happened ... and that makes me very happy. ;-)

Red Cliffs

Last summer we visited Torbay, the English Riviera. While there we went to Babbacombe and took the old Victorian Railway down the cliff face to the sandy beach of Babbacombe Bay. The railway was a wonderful experience. It is a pair of Victorian carriages joined by a cable such that when one is at the bottom, the other is at the top. The contraption is water powered and simply by filling tanks in the top carriage with water, while emptying those of the bottom carriage, one goes down as the other comes up.

When down on the beach we hired a couple of deckchairs and tucked into the picnic we had taken with us. The sand was soft, the sun was hot, the sky was blue and the sea was calm. Looking across the bay the tall, bright red sandstone cliffs of Babbacombe stood proud over the landscape, and the distant shore was littered with white houses bearing terracotta coloured roofs making it plain to see why the region is known as the English Rivierra.

Barn in a field

For my birthday last month my wife bought me a book by James Fletcher-Watson. I love his work but sadly his books are no longer in print. However, my wife managed to get me a good condition second hand book off the 'net, so I'm in heaven.

I've only read a few pages of the book so far, but this very quick painting of a barn in a field was copied from his book to give me a feel for how this great artist approached his work. Mine is nothing like his (lol) but I know I'm going to learn a great deal from him.

Sun setting in the Lakes

This painting is taken from a photograph I took in the Lake District a couple of years ago. It was autumn and we'd been for a drive through the lanes and passes that weave around the hills and mountains. Towards the end of the afternoon, just as the light was beginning to fade, I rounded a corner to see the most spectacular of views. Most of the landscape was in near silhouette and the sun was hidden behind a cloud, but it had powerful beams of light shining down on Buttermere Lake creating a breathtaking vision. Luckily I saw somewhere to pull over and jumped from my car with camera in hand. The water was still, there was no breeze, there was no sound. I took my photo and within minutes the vision had gone.

Trees, rushing water and an apology.

Firstly, to my fellow bloggers, an apology. I haven't had a great amount of free time of late and that hasn't only impacted on my time for painting and drawing, but has seriously affected my ability to get round all the blogs I like to follow. I have selfishly found a few moments here and there to post an old picture or two to my blog, just to try and keep things 'ticking over', but not the time for reading other blogs as much as I would like.

Thankfully that is changing now. I managed to get away for a nice break last week and my ever-tollerant wife (bless her heart) made sure I had plenty of time for my art. Though I could have painted all week long, I tried not to take too much advantage of her thoughfulness, but I did manage a few hours every day, hence the recent postings of the Coal Mine and Sherwood Forest.

Here is another watercolour I did last week. I confess to 'fiddling' with this one a lot as I just couldn't get the trees right - I'm just no good at trees. The subject is called "The Strid" and it is where the normally calm flowing River Whare in Yorkshire funnels through a narrow channel carved in the rocks.
 
My other big passion is photography and I took plenty of photo's on holiday, especially when we visited the zoo, so don't be surprised to see a few animal photo's posted in the near future.

Sherwood Forest

To celebrate her 60th birthday, I recently took my wife away to a luxury hotel in Sherwood Forest. To share her weekend, and to make it even more special, my daughter and son-in-law were able to join us. Obviously we had to visit the Great Oak where Robin Hood and his merry men were reputed to hide, and though we'd had a wet start to the day, the sun came out for us just at the right time. We took an unhurried stroll through the forest on the way to the Oak, and the view I had of my daughter and husband walking arm-in-arm just had to be the subject of a painting.

Christmas is coming

For the past few years I've always had the serious intention of painting my own Christmas cards. Every year I am determined that this will be the year ... and every year I fail to get started early enough and finish up complaining that I've no longer got enough time to sit and do them.

Last year was the nearest I got and I actually painted a couple of scenes before running out of time to incorporate them into a card design and deal with the printing. This is one scene. I used a photograph I took of a shop front in the high street in Chipping Campden in the Cotswolds. It was a hot summers day and the sun was beaming down - a long way from the cold wintery scene I needed for my card. But some artistic licence soon converted the scene into a more festive one.

I used my Image Editing software of choice (Paint Shop Pro) to create a suitable 'card' design based around my painting, allowing me to 'frame' the picture and add a festive greeting. The result is a passable card though I'm hoping to do better with the rest. I intend to do about five paintings which will be incorporated into various designs and that should give me enough combinations to print off a reasonable quantity to send around my family and friends.

Anyway, this post was done as a friendly 'nudge' to all my cyber artist friends out there to say Christmas is coming and if you're thinking of making your own cards this year, it's time to get started.

Fishing Boat

When in Torbay last year I came across this small boat laden with fishing paraphernalia. With grapling hooks and harpoons, I can't imagine what sort of fish it's owner tries to catch.

Watercolour - 12"x9"