I am developing a keen interest in painting buildings and was delighted when I was approached recently to do a watercolour of a new office unit being built in farmland locally.

When I visited the site to take some reference photos and get a feel for the place, I was immediatley struck by the lack of background. As with most modern industrial units, this one is very box-like. Smart, but featureless and without character. Sure, I could have painted a box with blue sky above and green grass below, but I wanted my painting to be a 'scene' in its own right, and say something about the area it's located in.

The only solution I could think of was to shift the viewing point to raise the eye-level above the height of the building. This would allow me to 'steal' background from the distant landscape. This was my first experience of this sort of thing and I found it much harder than I'd expected. I thought it was just a case of raising the horizon and adjusting the vanishing points. Well, I guess it was ... but to raise it by the right amount, to give some background without making the building look all roof, took quite a few practice sketches. And without a photo to copy, placing the doors and windows in the right place tested my knowledge of dimishing space to the extreme.
There are things I might do different next time, like possibly using 3-point perspective rather than the 2-point I used for this one. But I'm glad I decided on an angular view showing the front and a side. I think a straight-on frontal view would have made the building look flat and the painting look too symetrical. So, overall I'm not disappointed with the result. I've made a 'painting' out of a structure and shown the surrounding countryside, which says more about the building than the reference photo ever will.
This will make an interesting addition to my '
Architectural Portraits' site as it's the first Industrial building I've painted.