Tuesday 22 December 2015

"DAD"

"DAD"

It's been a while since I last played with my pencils, January last year to be precise. but I felt the sudden urge to dust them off and tackle a portrait of my father who we lost last year. Dad has figured in my blog many times over the years. He was a keen woodworker who, although he lacked precision woodworking skills, nevertheless managed to "knock together" some fine pieces. My garden still holds a Gazebo, wooden bench, pair of wooden chairs with matching table, a dovecote, a small log cabin, a decorative wheelbarrow planter, a Train planter and numerous bird tables and nesting boxes. Most of them have been posted here at one time or another. His last piece (made in his 95th year) was a Dolls house mackled together from bits of old plywood, and it came complete with items of furniture fashioned from off-cuts of which there was always plenty strewn around his shed floor. He was extremely pleased with the Dolls house and wanted to give it to a local nursery or play group but it really wasn't good enough for that .... too many unfinished edges and dangerous corners for it to be safe for little people to play with. To ease his disappointment I told him I'd love to have it in my garden as a feature amongst my plants and he seemed to like the idea, so it has stood proudly in one of my flower beds for the last 2/3 years.


I'll be coming back to the Dolls House and it's contents in a future post. In the meantime I knocked out this small pen sketch by way of saying "Merry Christmas" to all my followers.


You're comments and encouragement are very important to me and I can't tell you how much I appreciate your continued support.


Merry Christmas one and all.

Monday 30 November 2015

Ink & Coloured Pencils


As I sat watching television a few evenings ago I drew this Robin in my sketchbook using Pen & Ink. I wanted to see if I could demonstrate it was a Robin just by tonal values alone. There is hardly any difference between the tonal values of his red breast and his brown feathers when viewed in greyscale so I tried to exaggerate the tones in my drawing but it didn't work too well.

Dissatisfied with the result and thinking he didn't really look like a Robin I decided to add some colour using coloured pencils. I liked this effect very much and I think that is probably because the ink drawing was a finished piece in it's own right, rather than just the preliminary stage of something more. This became more apparent when I drew the Chaffinch and Blue Tit. They don't work as well, in my opinion, because they have much less ink detail which is probably because I was well aware at the ink stage that colour was too follow.


I liked the effect of the Ink with Coloured Pencil so much that I went back to a couple of previous pen drawings and added colour to them in the same way. Though I always like them in their original ink form (yes, I actually said "I liked them" lol) I have to say that I like them even more with the added colour. Oh, I didn't risk ruining the original pen drawings as I printed them out and worked on the copies. This is definitely a mixed media that I will work with again.




Friday 20 November 2015

"Bear"

No, not a big brown grizzly from the deep, dark, dangerous recesses of Whipsnade Zoo but my sisters Long-Haired Collie dog called "Bear".

Though I've tried using coloured pencils before I really haven't managed very well with them. My main problem has been blending and I suspect that is because I expected colours to mix as they do with watercolours, and the pencil strokes to smooth out as they do with graphite. Of course, neither is true. A short while ago I decided to have another go with coloured pencils and chose an old photo of "Bear" as my subject. This time I feel the penny dropped with regards to the blending and mixing and I achieved a result I'm not displeased with.

The picture is now framed and has been handed over to my sister who seems to be delighted with it. A good result all round. ;-)

Tuesday 10 November 2015

Lychgate

In an attempt to further reduce the tightness in my work I set myself a limited time to attempt this pen drawing of a Lychgate. Though I'm pleased with much of the pen work, especially the shadows and textures, my hasty sketching has resulted in some poor perspectives. It's clear that even a relaxed and loose style still needs attention to detail at the outline stage. Relaxed and loose must never mean careless .... another lesson learned.

For those interested, the word 'lych' is an old English word meaning 'corpse'. In the middle ages, when bodies were often only wrapped in shrouds, the corpse would be placed on a bier (a flat-framed stand) under the lychgate from where the priest would conduct the first part of the funeral ceremony. It's interesting that these small structures with such a unhappy function should these days often prove to be a popular backdrop for wedding photo's. This particular lychgate stands at the entrance to the church I was married in some 43 years ago and most of our wedding photo's were taken in front of it.

Like many of you, when I'm out and about I take photo's of scenes and objects that I would like to paint or draw one day. I took this photo in 2004 for that very reason, which just goes to prove that I get there eventually. ;-)

Wednesday 28 October 2015

Snowy Cottage


As I've mentioned in previous posts, when working with pen & ink I'm currently experimenting at achieving a good tonal range and shading without using too much cross-hatching, if any. In addition, a couple of posts ago, in a comment about one of my drawings,  Keith referred to 'lost and found lines' and this has also been on my mind as I'm not sure I've ever understood exactly what is meant by 'lost and found lines', though common sense sort of suggests what the term means.

Yesterday I came across a photograph of a small snow-covered cottage and, while thinking about how it might be drawn using pen & ink, realised that it was a great subject to work with both zero-hatching and 'lost and found' lines. Of course, the secret to drawing snow is more about what you don't draw than what you do.

Thursday 15 October 2015

Canal Cottages



Back in 2007, to mark my 60th birthday, my family treated me to a day on the canal. Fortunately it was "on" and not "in". The canal is the Grand Union and they hired a barge for the day and I was in my element navigating the calm waters. This stretch of the canal includes the famous mile-long tunnel near Blisworth which, in days gone by, were navigated by the bargee's laying on top of the barges and "walking" their feet along the roof of the tunnel. Fortunately for us our barge had an engine but the tunnel is only just wide enough for two barges to pass, so steering for a novice was exhilarating to say the least.

In my last post I mentioned how I was concerned over my use of hatching, in particular that it looks unnatural .... rigid, clinical diagonal lines ... and this is probably down to my inexperience. To explore this further I decided I ought to try a pen drawing with no hatching, achieving tones in a different, more natural way. I've painted this scene before and it struck me as being ideal for my purpose. I'm not displeased with the result and am happy that there's not one area of regular hatching. Now I'm keen to try another. ;-)

Monday 5 October 2015

Tempus fugit and all that.


It's been over 4-months since I last posted. In my last post I mentioned that summer was almost here, and as I write this I can't help but notice that it's now over. I also note that my last post said I was determined to do some urban sketching this summer but I've failed miserably and haven't ventured out with my sketchbook once. What happened to the summer? 

That said, I am recently back from a wonderful holiday in Northumberland during which I succeeded in sketching en plein air on several occasions. I sketched Bamburgh Castle in the rain, the Millenium Bridge in Newcastle in the sunshine and Lindisfarne Castle on a dry but cold and windy day. Yep, British weather at it's best. The sketch of Warkworth Castle was a bit of a cheat as I used a tourist leaflet as a source of reference. 


Keen to pursue my interest in Pen and Ink work I recently tackled this picture of Willy Lott's Cottage. I'm sure you're all familiar with it but for anyone who isn't, Willy Lott's Cottage was made famous by John Constable in his painting "The Hay Wain", and he included it in a number of his other works too. It is in Flatford, Suffolk, which was an area Constable painted frequently.

Pen and Ink seems to be my preferred medium at this time and I'm keen to progress it. Although I'm feeling much more competent with the medium than I ever did with watercolour I still feel that my marks, especially hatching, have a 'novice' look to them. Hopefully, the more I do, the more 'natural' the marks will look. With fingers crossed I shall march onwards and upwards as this is a medium I'm really feeling at home with. ;-)