Wednesday 23 November 2011

Laptops

I'm right in the middle of my annual audit and am not at all happy. The source of my frustration is nothing to do with my books, records or accounts, but the attitude the auditors have towards trees!!! I have a company wide network of PC's and on it I run professional accounting software. I do all of my work using it, and often extract data into spreadsheets for further analysis. At home I have a business grade PC with a remote link to my office network. So whether I'm working in the office or at home, everything I do is computerised - so yeh, I have square eyes. lol.

The auditors arrived Monday morning, each with their own laptop slung sexily over their shoulder. They make themselves comfortable in the Board Room and set up their laptops. It's at this point that I would dearly love to hand over a memory stick containing the accounts together with all of the working papers, spreadsheets and schedules. I have it all ready for them .... but no, they want it all printing out for their file.

But that's only the beginning. One at a time (there are 3 of them) they come to speak with me about whatever part of the business they are looking into at the time. They pull a chair up to my desk, open their laptop and peer accusingly over the top of the screen as they fire at me their questions, furiously typing my answers into their machines. Cool, so they're not totally unappreciative of the need to embrace modern technology .... are they? Yes, they are!!! Once they have completed the 'interrogation' the report will be printed off for their file. On one occassion, during 'questioning' I pulled up a report on my screen to show them a transaction they were interested in. "Ooh good, can I have a print of that then?", he asked excitedly. "Yes ... just that page" I replied, pretending I wanted to be helpful. "No .... the whole report". "Whaaat???" I exclaimed "but it's 63 pages and you're only interested in one item on page 57". "Sorry, but I have to have the whole report so the item can be seen in context". How #$@%$*@ ridiculous is that?

Sadly, that is the way it has been going all week. I protest and even greet them sarcastically with "Take a seat - have you come to cut down another tree?" .... "What do you do in your spare time - Oragami?". I even tried reducing paper usage by reducing the font size (too small to make notes against) and duplex printing to use both sides of the paper (not convenient for their files). I will be having a moan (which is something I'm rather good at) to the senior partners of the firm just for my own satisfaction.

And talking of computers, as if the audit isn't enough, my laptop decided to die on me a few days ago. Suddenly, inexplicably, it went off and can not be made to come back on. Though annoyed, I wasn't too upset because I am fairly disciplined with back up's and know there is nothing important on the disk that I haven't got somewhere else. I also knew the machine is only 3-years old and I took out an Extended Warranty when I bought it. However, the bad news is that the extended warranty expired in October, just a few weeks ago. I don't often swear but the air turned blue when I discovered that.

So as I approach the remaining days of the tree-hungry audit, witnessing a team of professionals spread their carbon footprint far and wide, I drop my broken laptop into the bin. It's not the greatest of weeks so far but I'm looking on the bright side ...... it will soon be the weekend and then I'll be able to do some painting. Hey-ho!!

Wednesday 16 November 2011

A tight fight!

My natural style is best described as 'tight' and the long-term followers amongst you may remember that from time to time I try to do something to help me loosen up. I will try quick ink and wash sketches and sketches against the clock, for example.

Eilean Donan Castle
This Sepia Ink pen and wash sketch is a very good example of one problem I struggle to deal with. Many of my verticals lean to the right. Now it happens that my natural handwriting also leans to the right, very much so. I have always written in an 'italic' style with a very pronounced lean. When I am sketching with gay abandon (as gay and abandoned as I ever get), that sloping tendency shows through into my drawing. I know I can do something about it when I try to, but by concentrating on getting the verticals upright, my work becomes tight(er) again. I guess I just need more practice ... either that or a block under one side of my chair. LOL.

So, have you noticed the "Making art fun" picture in the top right corner. It's just a little thing we do in my forum and I'm really pleased I managed to figure out how to have it automatically updating here. My 'square' is the second from the right on the top row.

Tuesday 8 November 2011

Raising the bar

For my recent birthday I put together a list of arty-bits that I wanted, as we do. What I didn't receive as direct gifts I purchased myself using money given to me for just that purpose. Electric Eraser, electric Pencil Sharpener, pads of paper, Fountain pen, ink, Pencil Wrap, and mixing palette.

The pièce de résistance was a book by Lee Hammond on drawing realistic portraits. Her work is outstanding and, as pleased as I am with my own drawing, there is no doubt in my mind that I can do better. I'm hoping Lee's book will help me with that.

Though I haven't had time to read the book in detail yet, I have read some parts and am bursting with enthusiasm to try out a few things. I've always been too impatient to work steadily through the practice stages of anything, so I dived in and had-a-go at this eye. It hasn't turned out too badly and I'm quite pleased overall, but I notice how uneven the blending is compared to what I can see in the book.

So yesterday evening I sat down to concentrate on nothing more than blending. I've come to the conclusion that there are no short cuts to a good result. Pencil on, blend, pencil on, blend, more pencil, blend ... layer after layer ... gradually building a smooth and even graduation. This simple sketch took me over an hour. The original looks better than this scanned version and I'm very pleased with the result, but I still have a long way to go. Still, I know I can raise my game when it comes to pencil work, so I've move my personal bar up a notch. Watch this space!!!

The final gift, which I bought with birthday money, arrived in the post yesterday. My first ever Moleskine Sketchbook. It looks great and I can't wait to take it for a spin. One thing I didn't get for my birthday which would have been the best gift ever .... more hours in the day. LOL.

Thursday 3 November 2011

Perfect remedy

I'm told it happens to us all, but just lately I've been feeling quite low about my art, especially my painting. On top of that, my watercolours aren't coming out too well as I seem to make mud with every brush stroke and a busy period at work is leaving me too mentally drained to want to concentrate on a detailed pen or pencil drawing. I feel myself getting more and more discontent ....

.... so I had some fun!!!


Hat Shop - Robin Hoods Bay
I knocked out a quick pen sketch of this fabulous little Ladies Hat & Bag shop in Robin Hood Bay (I was quite fascinated by the way the window had been shaped to fit in between the two flights of stone steps). After sketching I applied a watery ink wash. This is the first time I've tried washing with ink and it didn't behave quite as I'd expected, although I'm not quite sure what I expected. lol. I found quite small changes to the ink/water ratio made quite noticeable changes to the tone of the wash, hence the darker-than-I wanted steps. Though I hope to do better next time, I really like the effect and will be doing a lot more of these. I've also decided I must get some Sepia ink ... that could be even more fun.

Boats at Staithes
After that I remembered some advice I'd been given about sketching against the clock to help loosen up, so I decided to have a go at that. I allowed myself no more than 2-minutes for the sketch and 8-minutes to apply the paint. I was amazed how quickly the clock ticked as there was barely no time to think about what colours to use. Compared to my usual 'tight' style, this was definitely a case of splashing it about!!. The subject is the small tidal estuary at Staithes in Yorkshire.

These may not be great art but they've certainly put the spring back in my step. Ah, that's better.  ;-)

Thursday 27 October 2011

Fisherman's Cottage

During my recent visit to Robin Hoods Bay I went down into the village itself. Built on the cliffs it was a steep walk down ... and a steeper one back up. It is an artists paradise with a picture lurking around every bend. The narrow high street is of motorway proportions when compared to the narrow alleyways that comprise most of the 'streets' in Robin Hoods Bay. As I ambled along narrow paths that led up and down steps, I was enthralled at the way one persons garden would sit adjacent their neighbours roof and the shapes of some of the cottages is amazing as they were obviously built to fit into the small spaces available. Front doors reached by a flight of well worn stone steps was a common feature. This one was fairly well weathered and close to dilapidation with the black painted woodwork and steps showing the signs of times long gone.

At the time I took the photograph I was thinking this would make a nice watercolour but I have to confess that I'm not doing so well with my painting right now. I keep making mud and struggle to make the paint go where I want it to. At times like this I get frustrated with my art, and I never like to feel that way. Fortunately, I enjoy using pens and pencils so decided to try this one in pen. I'm glad I did because I think the subject lends itself very nicely to the medium .... and I thoroughly enjoyed every second.

Thursday 20 October 2011

Surfing

When on holiday last week I took a sequence of photo's of a guy 'riding a wave' on his surf board. Looking through my photo's a short while ago, I was looking at the spray being thrown up from the top of the breaking wave by the wind. I couldn't help but wonder how you'd go about drawing something like that, as you do ... so I just had to have a go. This is only a small sketch (6" x 4") but it served the purpose.

Sunday 16 October 2011

Back from holiday

Scarborough - South Bay
First of all, I must apologise to all you bloggers I follow regularly for not keeping up with your posts. I have been away on holiday and although I had some limited internet capability with me, there was not enough online time to get round the blogs. Anyway, I'm back now and I'll be catching up just as quickly as I can.

It had been my intention to do lots of drawing and painting especially to push myself to do some more plein aire work. Regrettably, it was so damp and windy that sitting outside for any length of time was not enjoyable. However, needs must, and although I didn't do any plein aire painting, I did manage a few quick sketches. The one of Scarborough was sketched looking through the rain splattered windscreen of my car as we sat on the harbour wall beside the Fishery.

I spent the week near Robin Hoods Bay on the edge of the North Yorkshire Moors. As a 'towney' wanting to appreciate the countryside, I decided to stay on a working farm for the week would be a relaxing experience. That said, there were no animals and I don't know what the buildings and machinery were all about but it looked more like a factory than a farm.

One of the things I'd looked forward to was a trip on the old steam railway. When the day came, it was a disaster. Having parked the car I went to buy the tickets and was very disappointed to be told that the steam engine had broken down so the train was being pulled by a Diesel. That's just NOT the same. Still, I couldn't do the trip on another day so decided to do the trip regardless. After a short wait we were finally in the carriage and pulling out of the station.

I was looking forward to seeing the best of the moors from the train and had my camera ready but the worsening rain and reducing visibility were making photo's less likely. Suddenly the train screeched to a halt and the guard ran through the carriage looking most concerned. Long story short, the engine had broken down in the middle of nowhere and we had to wait over an hour for another engine to come and tow us on to the next station. That was actually good news as I was already having visions of us all walking along the railway track to the nearest station. Thankfully I had my sketchpad with me and used the time to attempt a drawing of my camera. Eventually we were pulled to a station where we were told no more trains would be running and a bus would take us back to where we started. Cold, damp and disappointed we arrived back at our starting point several hours later.

Robin Hoods Bay
The highlight of the week was a visit to Robin Hoods Bay itself. The village is built into the cliff face and is a maze of narrow winding alleyway's between the quaint old smugglers cottages. It was fascinating to see how one persons roof was on the same level as another persons garden. An artists paradise as every step I took revealed an ancient doorway, steps worn by centuries of use, crooked windows and cottages built to abnormal shapes in order to fit them in, like 3-dimensional jigsaw pieces. Had I been on my own I would have loved to have sat and sketched all day long but as it was I contented myself with taking scores of photo's. I didn't manage to get as much drawing done as I'd hoped during the week but I have enough reference material to last me a very long time. Can't wait to get started. ;-)