Tuesday 23 September 2014

Pen and wash ... again


I read recently that the best paper for Pen & Wash is Hot pressed, because of it's smoothness. I don't have any Hot pressed, but I was reliably informed that Bristol Board makes a good substitute, and that I do have. So I decided to do a painting on Bristol Board and chose this scene of Crail Harbour from a photograph taken by my good friend Ingrid Ormestad. I found it very interesting how the water stayed on the surface and was slow to soak into the paper, and I was able to draw much darker tones out of the ink than I usually do.


By way of comparison I then did this scene of New Road, Robin Hoods Bay using regular Cold pressed NOT. The darkest tones were harder to produce, but the water soaked in quicker making it easier to control.

Both were sketched using a Rotring Art Pen (nibbed) which I find a joy to work with, and the water was applied using Pentel Aquabrushes, which are as good in the studio as they are in the field. I found the drawing easier on the smooth Bristol, but the water application more controllable on the watercolour paper. I think I'll just have to get myself some Hot pressed paper and see how it compares. I'd like to think it will give me the best of both worlds. Watch this space!!!

I so enjoy this medium. I often think to myself that it's not 'real' painting and it doesn't produce 'hangable' work, but it's such fun ..... and surely that's what it's all about!!!

Thursday 21 August 2014

Contre jours


Thumbing through a back issue of the SAA's magazine "Paint" I came across an article by Paul Apps in which he explained how he did a contre-jour painting in oils of Venice. Contre jours simply means "into the light" and although this is something I've done in photography, it is something I've never attempted with my art.  I was very interested in the article and the evocative descriptions of the intense light on the water but tossed it to one side as I don't do oils.

However, the image stayed in my mind especially the bright highlights on the water and the muted, almost non-existent colours of the city behind, and eventually I mused "why does it have to be in oils .... why not graphite?". In my opinion, graphite is underrated and underused for landscape and seascape work so I decided I'd have-a-go and see what I could make of it.

I used artistic licence to darken the sky considerably from the light, twilit sky in the reference photo, and it's been necessary to darken the water too, in order to make those highlights sing. The end result gives a much darker picture but I'd like to think it's captured the atmosphere of a day drawing to its close.

This probably sounds like a very silly thing to say, but while making this picture I felt less as if I was drawing and more as if I was 'painting with pencil'. I thoroughly enjoyed every moment.

For anyone interested I have put a Work In Progress page on my main website showing the various stages.

Wednesday 13 August 2014

Easing my way back



After a long abstention from painting I have finally taken up my brushes again. Regular followers will know that I enjoy working with Line & Wash and it therefore seemed the easiest way to ease myself back into painting. The first painting is an oval tub of Fuchsia's. Though I'm not a great gardener (pretty bad actually) I do have a passion for Fuchsia's. I have about 60-ish named varieties, and several plants of each, so that's a lot of plants. My garden is littered with containers and terracotta pots containing fuchsia's. This small oval tub with its weather stained wood and rusting straps contains a variety called "Snowcap".


The second painting is a sketch of a Narrow Boat I saw when walking the tow path of a stretch of the Grand Union Canal that passes fairly close to here. I find I can sketch plein aire much better than I can paint, so this medium suits me very well as I can do the line work in the field and add the colour back at home.


Finally, something completely different for me. In my forum we run regular challenges and this one was simply called 'Heat'. No pen or pencil here ..... just lots of wet yellows and oranges. It's entirely made up and looks more 'abstract' than anything else. Still, it looks hot, and that was the objective.


Sunday 27 July 2014

Stormy Sea


During a recent spell away looking after my elderly parents I fancied doing some art but wanted something I could pick up and put down every few minutes. I didn't want to get bogged down in detail so thought of subjects that didn't need any accuracy. I decided to try my hand at drawing a rough sea and waves crashing against the rocks. The reference photo I found using Google contained some buildings but, to avoid copyright issues and to keep things simple, I felt I could easily leave them out.


Monday 16 June 2014

Longnor Market Hall

When on holiday in the Peak District last year we stayed near the sleepy little village of Longnor. In the centre of the village is a cobbled square and amongst the buildings surrounding the square stands this fabulous Grade 2 Listed building which was once the Market Hall. These days the Hall is a Craft Centre and Coffee Shop and if you're ever in the area it is well worth dropping in.

The last time I drew buildings it was of Robin Hoods Bay and I drew every detail right to the edge of the paper, leaving no white space (apart from sky). Somehow I think that made it artistically unappealing, probably because it was hard to see a focal point. So this time I have isolated the Hall from it's surroundings. I also decided not to use a ruler or straight edge and although I'm not unhappy with the straightness of my lines, a building such as this has razor sharp edges and that doesn't come across in this drawing.

One problem I had was of parked cars. I took a photo of the Hall with the intention of drawing it one day, but I couldn't get a car-free shot from anywhere. My photo was a fine reference for everything above 5-foot from the ground, but below that it was close to useless. However, I resorted to using Google Streetview to give me alternative views from different angles and despite the fact that it too contained unwanted cars, I was able to piece things together reasonably well.

It seems as if it's been a very long while since I last used my pencils for a serious drawing, and I really enjoyed doing this one. I think I may tackle one or two other buildings in this way.


Sunday 8 June 2014

Ooops!!


I drew a mirror for a current project in my art forum but dropped it putting it in the scanner. lol.


A couple of days ago, on the 70th Anniversary of D-Day, I felt the urge to draw my own tribute to those who took part and made the ultimate sacrifice. My father went across 3 days after the main invasion but thankfully he came home ... so many didn't. It's a simple drawing and didn't take very long, but it was something I needed to do.



Tuesday 27 May 2014

Plein aire sketching


For the first time in a long while I treated myself to a nice long walk. There is an interesting church in the next village. It is one of those buildings that catches my eye every time I drive past it, and each and every time I see it I tell myself that I must come back without the car to have a better look. So when I was thinking of where to walk, to the next village seemed like a good choice.

When I arrived at the church I spent a while sitting in the churchyard and strolling interestingly through the grave stones as I looked at the buildings architecture from every viewpoint. When I'd seen as much as I wanted to see I headed across the road and took up position leaning against a sandstone wall, which is typical for this area.

My previous attempts at painting en plein aire have not been good. I don't know whether it's the fear of being approached, or the lack of a comfortable chair and easel, but I always rush my paintings and splash paint around as if I've only got minutes to finish. So, on this occasion I decided to sketch the church with pen. Besides, I'm not painting at the moment and enjoying pen work, so I'd packed pens and aquabrushes into my backpack.

Unlike the 'panic' I feel when I'm painting, I felt quite comfortable leaning against the wall in the shade of an overgrowing tree. I soon became oblivious of the passing traffic, not that there's ever a great deal in the village, and carried on confidently sketching even when the occasional pedestrian ambled by. I found it awkward sketching while standing and wished I'd taken my small collapsible stool with me, but I managed okay and thoroughly enjoyed it.

It was a bright sunny day and I wanted to capture the shadows to give the church some solidity and dimension. In the first instance I tried hatching, but this is something I'm still not at ease with and I didn't like the effect. Thankfully my pen was of the non-permanent variety so I used my aquabrushes to add some tones. I have a couple of perspective issues but, all things considered, I'm not disappointed.

Oh ... yep ... the tower leans. I'm still working on those verticals. lol. ;-)