Tuesday, 23 September 2014
I read recently that the best paper for Pen & Wash is Hot pressed, because of it's smoothness. I don't have any Hot pressed, but I was reliably informed that Bristol Board makes a good substitute, and that I do have. So I decided to do a painting on Bristol Board and chose this scene of Crail Harbour from a photograph taken by my good friend Ingrid Ormestad. I found it very interesting how the water stayed on the surface and was slow to soak into the paper, and I was able to draw much darker tones out of the ink than I usually do.
By way of comparison I then did this scene of New Road, Robin Hoods Bay using regular Cold pressed NOT. The darkest tones were harder to produce, but the water soaked in quicker making it easier to control.
Both were sketched using a Rotring Art Pen (nibbed) which I find a joy to work with, and the water was applied using Pentel Aquabrushes, which are as good in the studio as they are in the field. I found the drawing easier on the smooth Bristol, but the water application more controllable on the watercolour paper. I think I'll just have to get myself some Hot pressed paper and see how it compares. I'd like to think it will give me the best of both worlds. Watch this space!!!
I so enjoy this medium. I often think to myself that it's not 'real' painting and it doesn't produce 'hangable' work, but it's such fun ..... and surely that's what it's all about!!!